Edward de Vere, Sonnet 76: the White Crow (Shakespeare, ShakesVere or ShakesVeer)
The Mystery of the Hanging Cipher
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“COURTE-DEARE-VERSE”: William Covell (Polimanteia,1595)
“ED VERE : I am SHAKESPEARE.” ACCORDING TO: Francis Meres, John Milton, Leonard Digges, Richard II (play), John Weever, King Lear (play), Hamlet (play), Pericles, Prince of Tyre (play), Ben Jonson, King Richard III (play), Michael Drayton (30), The Merry Wives of Windsor (play), 2 Henry 6 (play), John Benson, John Warren (1640)
DIGGES, Leonard: “This booke (First Folio, 1623) is VERE, Shakespeare’s ev’ry line.”
“I, E.O. VERE be Robert GREENE”; “Vere is an ‘upstart crow”, the onely Shake-scene in a country”. “Vere, the other Newcommer.”
“ED VERE IS RO. GREEN”
A MIDSUMMER NIGHT’S DREAM (Quarto 1, 1600), the play: “He that writ it: Vere, Veer, Veare”
ALLEGORY OF THE CAVE
***SONNET 76: White Crow, Black Swan. “MY NAME’S Ed de VERE.”***
Sonnet 76: Black Swan
Sonnet 76, White Crow, Black Swan: Classical references, DANTE, OVID
Golf Balls: Probability and Edward de Vere
ANNE BOLEYN (BULLEN): the FACE of Edward de Vere?
ANONYMOUS Anonimus: Rogers and Hammerstein; Bess and Ed, “Another Song”, at OXFORD
ANTONY and CLEOPATRA (Folio 1, 1623), the PLAY: “Amleth”, Array 17, Column 17, Row 17.” “Vere, the Poet”, “Ed Vere, the Poet”, “Ed Vere writ.”
ARCADIA (Sir Philip Sidney), 1598: “I’m Lord Ed Vere, pen.”
AS YOU LIKE IT (the Play) (ca. 1599 – 1600): Act One
As You Like It: Act Three
As You Like It: Act Two
Authorship Question Poll
BEN JONSON (1572 – 1637)
Ben Jonson’s EULOGY to Shakespeare (FF, 1623): “DIDSTST”
Ben Jonson, EPIGRAMS: 45 (XLV): “On my First Son” / “On my First Sonne”
EPIGRAM (Epitaph) 124 (CXXIV): “Epitaph on Elizabeth, L. H.”,
EPIGRAM 14 (XIV): “To William Camden”: HAMLET
EPIGRAM 27 (XXVII): “To Sir John Roe”: Ed Veer, verse, name.
EPIGRAM 64 (LXIV): “Veare, Vere”
EPIGRAM 91 (XCI): “To Sir Horace Vere”, “de Vere name to be mute
Christopher MARLOE’S pen: “My Shakespeare, my judgement.”
PLAYS:
THE ALCHEMIST (1610): “Vere: the author.” “Vere O.’s hid, forbidden to speak”
The DEDICATION: “E.(Earle) O. (Oxford), Henry, forbidden to speak more.”
THE DEVIL IS AN ASS: Is Oxford announcing two new plays?: “The Devil is an Ass” and “The Devil of Edmunton.”
The MERRY DIVEL OF EDMONTON: “Ed Vere (deVere): ’tis his.”
THE NEW INN: “Vere hid his play.” “Vere, O.: the subject of our play.”
VERE: “I’m SHAKESPEARE, hid, a monument without a tomb.”
VERE: Sweet Swan of Avon!
BUSSY d’AMBOIS” (the play,1603 – 1604), by GEORGE CHAPMAN (c. 1559 – 1634): PROLOGUE: “I’m Ed Vere, I’m Ed Dyer, hid.”
EPILOGUE. Bussy d’Ambois: “Vere, actor.”
CARDANUS COMFORTE (1573, 1576) and the Cardano Codes: the first 17 letters.
CHRISTOPHER MARLOWE (1564 – 1593)
DIDO, QUEENE of CARTHAGE (the PLAY: first pub., 1594): “From Ed de Vere.”
EDWARD II (Marlowe, 1594), the PLAY: “I am VERE. Vere’s words.”
HERO and LEANDER: “Ed Vere: Author of this poem.” “HID: Vere tale.”
THE JEW of MALTA (the PLAY, 1589, 1590): “I am the PEN of Earl Ed Vere.”
The passionate Sheepheard to his love (Come live with me and be my love)
THE MASSACRE at PARIS (the PLAY, 1592): “Ed de Vere word.”
CORIOLANUS (First Folio, 1623): “From Ed Vere”, “Know I speake this”,”Ed Veer, Seventeen”
CYMBELINE (the Play): “Vere: I have liv’d.”
DEDICATIONS and EPISTLES: Henry Olney, dedication to Sir Philip Sidney (1595): “Ed Vere pen (help), veile (hidden).”
Anthony Munday, Dedication to Oxford in Zelauto, 1580: “I, Vere. Ed de Vere.”
John Hester, Dedication to Oxford, Discourse Upon Surgery, 1580: “Lorde Ed de Vere.”
John Lyly (Euphues), Dedication to Oxford: “Ed Vere, Ed Veer words.” “Vow: Ed de Vere here.”
Lord Lumley (?), or George Puttenham, 1589: “Edward, Earle of Oxford, otherwise called Veer.”
Robert Greene (Carde of Fancie), Dedication to Oxford, 1584: ” . . . with Ed Dyer and MDL (1550)
Robert Greene (Carde of Fancie, 1584), Dedication to Oxford: “Vere prose, pen.”
DEVERE Collection (14):
AMLETH Collection (6)
HAMLET Collection (12)
VAERE Collection (51)
EARLY POEMS: VENUS AND ADONIS (1592-3), Where it all began
“William Shakespeare” appears in print for the first time (1593): “To Henrie Wriothesley: “Vere: I account myselfe your honourable father.” “Ed VERE formed.”
1593 Dedication to Henry Wriothesley, continued:
“Testimony of Vere as Shakespeare, Stanzas: 2, 17, 22, 23, 128, 160, 163
1594: THE RAPE OF LUCRECE: The Argument (“Henrie, W.H., secret sonne of VERE)
Stanza 13: “Vere secret.”
Stanza 5: “Vere, the Publisher: Keepe unknown.”
Stanza 9: “Ed Vere weed (pen) here.”
A LOVER’S COMPLAINT (Quarto, 1609): “Story from ERLE Veer: Voyce, Tale, SONG.”
THE PASSIONATE PILGRIM (1599): “HENRIE, W. H.: thou lefts (sic) me nothing in thy will.” Is The Passionate Pilgrim meant to be a song?
EDWARD de VERE and MICHAEL DRAYTON? (Stunning) Coincidence? (1605)
“My NAME is ED de VERE.” “My NAME, ED VERE.”: Shakespeare vs. Edward de Vere vs. Michael Drayton. (Shakespeare, Sonnet 76, Drayton Sonnets 47 and 50, 1605)
Michael Drayton, Sonnet 46 (Ed. of 1605): “I’m Ed de Vere.”
ELEGIES (1627 Edition): Lady Olive Stanhope: “Ed Vere Echo”
Elegie Upon the Death of Lady Penelope Clifton: “Ed Vere pen.”
Elegie to Henery Reynolds, Esquire: “It is said of thee: Veer is SHAKESPEARE.”
Michael Drayton (Ed. of 1619), Sonnet 6, Sonnet 8, Sonnet 21: “Vere ink”, “Vere, my verses”.
Michael Drayton, Edward de Vere, Edward Dyer, Sonnet 12: “Vere, Veare, Ed Dyer, TWAINE.”
Michael Drayton, from the Edition of 1594: “Ed Vere, rude unpollsh’d rymes.”
Amour 12: “Vere: I doe speake in verse.”
Amour 15: “Ed de Vere hid (concealed).”
Amour 16: “Ed de Vere HID.”
Amour 28: “Vere: my verse, my words, my lynes.”
Amour 29: “Vere: hand (writing) immortal, now vaileth (hidden).”
Amour 46: “Vere: in secret silence.”
Amour 4: “My Name: VERE.”
Michael Drayton, from the Edition of 1602, SONNET 17: “Vere pen.”
Sonnet 9 (1599 Edition): “Ed Vere playes the instruments.”
Michael Drayton: “His Ballad of Agincourt (1605)”: HAMLET
Poem to John Davies (Holy Roode, 1609): “My Good friends: Lend me credit as I lend my verse. VERE.”
Edward de Vere, AMERICA, and the NEW WORLD (1600)
Edward de VERE: Letter to the Editor, 1609
EDWARD the THIRD (Quarto 1, 1596) : Act One
Edward III: Act Five
Edward III: Act Four
Edward III: Act Three
Edward III: Act Two
Elizabeth I’s Funeral: Was Edward de Vere there? Was he the “clere” son of Elizabeth I? Should he have been “ordeind” the next King of England?
Sonnet 125: Vere, “I bore the Canopy, poore but free”
EMARICDULFE (1595): “Erle Vere: pen, paper, inke.” “Ed Vere voyce.” “Vere: his voyce.”
ENGLAND’S HELICON (1600): “To the Reader, if indifferent”: “The hidden (vaile) work (travaile) of Ed VERE.”
“To Amarillis”: Who wrote this? = “Lo! Ed de Vere”
IGNOTO: “The Unknowne Sheepheards Complaint”: “Made with Vere pen/weed”
Who is IGNOTO, anyway?: “Ignoto = Vere = the author of Hamlet = Shakespeare.”
No attribution for this song. Then who wrote it?: “Philon, the Sheepheard, HIS SONG: Vere (Array 17, Row 17).”
Robert Greene (Englands Helicon), Menaphon to Pesana: “deVereDyer”, “Ed de Vere, Dyer–conspire here.”
ROBERT GREENE, “Melicertus Madrigal”: “Ed VERE is Ro. Greene.”
Sir Philip Sidney: “An Excellent Sonnet . . . “. “Ed Vere, his work is hid.”
TO HIS VERY LOVING FRIENDS: “Erle Ed Vere.”
FIRST FOLIO, 1623: Catalogue and Title page of the Comedies, Histories, and Tragedies
Prefatory Materials: John Heminge, Henry Condell, Hugh Holland
FOOTPRINTS: Through the Looking Glasse
FRONTISPIECES (98): A Midsummer Night’s Dreame
“The English Breviary (1573)” and Anne Cecil, Countess of Oxford
“The English Secretorie (1586)”, Angel Daye
A Handefull of Pleasant Dilites, 1584 (a book of Elizabethan songs and madrigals)
A Hundreth Sundrie Flowres (1573): de Vere, Henry Bynneman
A Strange Report of Sixe Notorious Witches (1601)
A Warning for Faire Women (1599), ANONYMOUS (Really?)
Arden of M. Feversham (1592): “Ed Veer inke.”
Beaumont and Fletcher (1616, 1625): The Scorneful Ladie (Vere?), TEST IT!
BEN JONSON: Epicoene (ca. 1605-1609)
Cardanus Comforte (1573, 1576): the first 17 letters.
Christopher Marlowe (Edward II): “I am Vere”
Christopher Marlowe: Edward the Second
Damon and Pythias, 1571
Discovery of the Bermudas (1610): “I’m Ed Vere, cover (hid).”
Double Falshood, Frontispiece
Epilogue (Double Falshood)
Prologue (Double Falshood)
The Play, Double Falshood: ACT 1: “Ed Vere discourse.”, “Lo! Lord Henri Vere.”
ACT 4: “Erle Vere, Echo hid.”
ACT 5: “Ed Vere (de Vere), “de Vere (Ed Vere) and one’s “degree of belief”.
Edward de Vere, AMERICA, and the New World: 1600
The Second Voyage of Captayne Frobysher: 1577
Euclide’s Geometrie (1570):
Francis Bacon: The History of Henry VII (By the Right Honourable Erle) Edward Vere
HAMLET’S BOOKE: Cardanus Comforte (1573, 1576)
1573
1576
Hamlet: 1603, 1604, 1605, 1611
Henry IV, Part One (Quarto 3) (1604)
Henry V (Quarto 1, 1600)
Henry the Fifth (Quarto 2, 1602): “the Lord Veer.”
Henry VI (1594)
Henry VI, Part 2 (1600): Dyer, E. Ox.
Henry VI, Part 2 (Q2 1600): Ed Veer inc (ink)
Henry VI, Part 3 (Quarto 1, 1595): “I’m Earle VEER, O.”
Horestes (1567): Oxford, Revenge, and the Origins of Hamlet
IGNOTO (frontispiece, 1603): Expicedium, A FUNERAL ORATION upon the death of the late . . . Queen Elizabeth.” “DECODE IGNOTO CODE.”.”
IGNOTO: Expicedium, A Funeral Oration upon the death of Elizabeth (1603)
John Benson, Shakespeare’s Poems, 1640
John Lyly (c. 1553 – 1606): EUPHUES, the Anatomy of Wyt (1587)
John Marston, Pen Name or collaborator?: Ed Vere Tragedies and Comedies (hid) Collected into One Volume (1633)
King Lear (Quarto 2, 1608/1619): “Ed VERE: I am Shakespeare.”
King Lear (Quarto 1, 1608): “the signe of VERE.”
Leicester’s Commonwealth (1584)
Love’s Labour’s Lost, 1598
Love’s Martyr, or Rosalin’s Complaint (including the Phoenix and the Turtle), 1601
Madrigalls, Englished (1590)
Martin Marprelate’s “Protestatyon” (1589)
Minerva Britanna (1612, Henry Peacham, the Younger, 1578 – ca. 1644): “Minerva Britanna, Ed Vere”
Morley, Thomas (1557 – 1602): Madrigalls to Foure Voyces (1594): “Vere voyces: the first (booke) published in London.”
Ford, Thomas (1580 – 1648), Musicke of Sundrie Kindes: “Musicke of Vere, Performde, Composed by Vere.”
Mucedorus, 1611: Array 17
No-Body and Some-body (Anonymous, ca.1592): An anonymous collaboration between Elizabeth I (Bess) and E.C.O. (Edwardus Comes Oxon.)?
Othello (Quarto 2), 1630
Palladis Tamia (1598)
Pandora (John Soowthern): “Earl Vere.”
Pericles, Prince of Tyre (Q 1,1609): “Ed de Veer, I am Shakespeare
Poetical Rhapsody (title page, 1608): “Ed Vere verse published.”
POLIMANTEIA (1595)
Quips Upon Questions (1600): “Vere conceit.” “Henry O.”
Richard Barnfield: The Encomion of Lady Pecunia (1598)
Richard II (Quarto 3, 1598)
Richard II (Quarto 2, 1598)
Richard III (1597, 1602): “I, E. Ed de Vere, Lord Chamberlaine.” “The Tragedy of Richard the Third, by Ed de Vere.”
Richard III (1598): “The Lord Chamberlaine, Ed Veer, is Shakespeare.” the Death of Nashe’s Innocent Pen (Petty Wales?)
Richard III (Quarto 5, 1612): “I, Ed VEER, am Shakespeare.” “So test Erle Veer.”William CECIL, Usurper, detested life.”
Richard III (Quarto 6, 1622): “Ed Veer: I am SHAKESPEARE.”
Richard III (Quarto 7, 1629): “Ed Veer: I am Shakespeare.” “Erle Oxen.(forde).”
Richard III (Quarto 8, 1634): “Test Ed Veer life.” “Shakespeare code.”
Richard III: 1594
ROBERT GREENE (1558 – 1592): Pandosto, 1621: “Ed Vere content.”
Green’s Groats-Worth of Wit (1592): “I’m the hid/concealed hand of VERE.”
Greene’s Arcadia: ” a CYPHERED WORKE by Vere and Greene
Greene’s Mourning Garment (1616) : “Veer/Veare pen.”
PANDOSTO (1588, by Robert Greene): VEER revealed, Robert Greene
Perimedes the Blacke-Smith (1588), Robert Greene
DEDICATION: “HAMLET, My worke worth the viewing.”
Robert Greene: To the Gentlemen Readers
Romeo and Juliet, 1599
The Birth of Merlin (1662): Vere – Nashe (Ben Johnson?)
The Death of Usury (1594): Origin of The Merchant of Venice?
The Faerie Qveene (1590): No attribution, 17 ‘Units’
The HEKATOMPATHIA (1582), Composed by THOMAS WATSON, 1555 – 1592
JOHN LYLY (Oxford’s role in?). Hekatompathia
More THOMAS WATSON (Oxford’s role in?) (Hekatompathia)
T. ACHELEY (Hekatompathia)
The History of the Two Maids of More-Clacke (1609). Written by Robert Armin, Edward Dyer, or both?
The Merchant of Venice (1600)
The Merry Divel of Edmonton (1617): “Ed Vere (de Vere), ’tis his.” “Acted by Ben Johnson.”
The Merry Wives of Windsor: 1602, 1619
The Palace of Pleasure (1566)
The Paradyse of daynty devises, 1576: “I vow I’m VERE. I’m Hid (encrypted) in The Paradyse.”
The Phoenix Nest, 1593
The Revenger’s Tragædie (1608)
The Taming of a Shrew (1594), no attribution given. What about “Tho. NASHE, or, the Earl, E.O.”
The Taming of the Shrew (1631)
The Two Noble Kinsmen (1634): “Veer, Fletcher”
The Wisdome of Doctor Dodypoll (1600): Anonymous
The Workes of Geoffrey Chaucer (1343 – 1400): “Ed Vere: This edition (of) the Works of Geoffrey Chaucer.” “Ed Veer, three tales are added.”
Thomas Dekker (ca. 1572 – 1632): “Satiro-mastix”: “The Lord Veer tale.”
Thomas Heywood: The First and Second Partes of Edward the Fourth (1599)
Thomas Lord Cromwell (Quarto 1, 1602): “Veer, publikely hid. I’m W.S.”
Thomas Nashe, Strange Newes (1592)
Thomas Nashe: “Christs Teares (1594)”: Ed Veer
Thomas Nashe: “Lenten Stuffe” (1599)
Thomas Nashe: “Pierce Penilesse” (1592): “Written by Ed Veer.”
Titus Andronicus (1594) Vere and Marlo
Troylus and Cresseid (Quarto B, 1609)
Troylus and Cresseida (Quarto A, 1609)
Venus and Adonis, 1593
Willobie, His AVISA (1594)
GROUP THEORY of AUTHORSHIP: Edward de VERE, HENRY (Southhampton?), Christopher MARLOE, Thomas NASHE, DANTE
HAMLET, the PLAY: (Act 5, Scene 2: “Lame Ed Vere is HAMLET, hid.”
“Oh ALL YOU HOST OF HEAVEN!” Versions: 1603, 1604, 1623
1603 (“Bad”), Quarto 1: the Ghost on the TOWER battlements
1604 (“Good”), Quarto 2: “I am sure VERE memory shall live. Hid records.
“Oh THAT THIS TOO TOO SOLID FLESH”, Versions: 1603, 1604, 1623
1603 (“Bad”) Quarto 1: “My Name is Ed de Veer”, “I’m secret/hidden heir.”
1604 (“Good”) Quarto 2: “I’m E. (Earl) HENRIE, O.”
1623 (First Folio): “It is wicked CECIL. I must hold my tongue.”
ACT 1: “Who’s the HEIR? Vere. The Ghost and Gertrude vs. John Veer and Elizabeth I
Act 1, Scene 1: VERE: “the sheet, the mantle, the voyce” of the GHOST.
Act 1, Scene 2: “I am the hidden hand of Vere.”
Act 1, Scene 3: VERE, Lord HAMLET.
Act 1, Scene 4: “VEER, I’m HAMLET.” The Ghost: John Veer, 16th. Earle of Oxenforde.
Act 1, Scene 5: “VERE vowe: I’m HAMLET.” “QUEENE BESS: that incestuous, adulterate beast.”
ACT 2, Scene 1, SCENE 2 (Part 1): “VERE: I’m HAMLET’S transformation. The inward man resembles the ward name of Vere, here in our Court.”
ACT 2, SCENE 2 (Part 2): “Looke you this: pestlent CECIL appeareth nothing to me.”
Act 2, Scene 2 (Part 3): BESS INCEST, Cunning CECIL
ACT 3, Scene 1 (the “To be” Act): “Vaere liveth, a nunry.” “Ed Veer, Lord Hamlet.”
Act 3, Scene 2: “CECIL: thee of my father’s death (John Veer)
Act 3, Scene 3: “VERE, E.R.’s blood. BESS INCEST.”
Act 3, Scene 4 (1604): “E. de Vere: Read what is to come.” “HENRI, E.C.O., E.R. unseen kin.” “BESS INCEST.”
Act 3, Scene 4 (1623): “BESS (Beth): Assume a virtue if you have it not.”
“E.C.O., CECIL, his Spie.” (1603)
ACT 4, Scene 3, 4, 5: “Ed VERE wordes.””Ed de Veer: I’m HAMLET.”
Act 4, Scene 6: Hamlet’s Letter to Horatio: “VERE: Thou knowest thine HAMLET.”
Act 4, Scene 7 (1604, 1623): “Ed de Veer, Poet.”
ACT 5, Scene 1: Yorick’s Grave: “Veer, a Lawyer himself.” (Grave imagery). “Vere hell.”
Act 5, Scene 2: (As Laertes lays dying, he says to Hamlet: “Ed VERE is HAMLET hid (concealed).” “Veer, HAMLET thou art!”
HAMLET “SIGNATURE” 17 words.
THE HORATIO CODES
ACT ONE: E. de Vere: An Autobiography
Claudius: What’s in a name?
Erl Vaere: Thy Voice
Polonius to Ophelia
The Play’s the thing: “Oh WHAT A ROGUE AND PESANT SLAVE AM I?” Versions: 1603, 1604, 1623, ‘Signature 17’, in your face
1603 (“Bad”), Quarto 1: the “DUNGHILL IDIOTE SLAVE” version. TUDOR assassination of John Veer, Edward de Vere’s father.
1604 (“Good”), Quarto 2: “Oh what a Rogue . . . Vere: Play, something like the murther of my father.”
1623, Folio 1: Vere pen, speech
TO BE OR NOT TO BE. Versions: 1603, 1604, 1623
1603 (“Bad”), Quarto 1: “Vere may his Quietus make with a bare bodkin.”
1604 (“Good”), Quarto 2: “Should I kill myself, or not?
1623, First Folio: SUICIDE NOTE: “Vere’s conscience.” “Ed Vere, known pen.” “DANTE death tale.”
HENRY THE FIFTH (The Famous Victories of), the play: the “hand of Ed Vere, HID (kept secret, concealed). NO ATTRIBUTION FOR THE PLAY IS GIVEN. Likely written before 1588, and is therefore pre-Shakespeare.
HENRY VIII, the PLAY: Prologue, Epilogue, the CODE is HID Within
ACT 1: “Test VERE/VAERE”, Cecil
ACT 2 (All about the Act 2 as Vere’s ‘pen’ and ‘grave’)
ACT 3: Vere alive, Vere is the likeness of ANNE BOLEYN, Confession as “Will S.”,
ANNE BOLEN and “A Sonnet upon the Pitiful Burning of the Globe Playhouse in London (July 3, 1613)
Queene Bolen’s End
ACT 4: Oxford’s Confession. An Actor in the Play
ACT 5: VERE REX (“He’s King”): “LET ME SPEAKE (I, VERE, now living)”
“The Baptism of Elizabeth I”, and VERE as King (cont’d)
Behold Ed Vere, Earl O., above: Lord Chamberlaine. Ed Vere, art hidden, concealed
Cardinal Wolsey = William CECIL
HENRY VIII: Sonnet 72, the “PEN-GRAVE” of Edward de Vere? (“My name be buried where my body is”)
VERE (Vaere): the PORTER Scenes (Macbeth, Henry VIII)
HORESTES (1567), the Play: (Edward de Vere at 17), Oxford, revenge and the origins of HAMLET
First, revenge for my father (John Veer, 16th Earl of Oxford); then to hold BESS (Beth) accountable for concealing her birth to me
OPENING LINES: “Vere, revenged to be.” “Ed de Veer, revenged to be.”
Signature Arrays: “Vere play.” “Ed Vere verse.” “Vere inke.”
THE PLAY: “HAMLET”: “Earle Vere . . . holy vow to revenge my father’s death.”
LAST LINES: “Ed Vere.” “Ed Veer”. “Ed Veare.” 3 surname spellings: chosen, Birth name, Danish.
IGNOTO: unknown, hidden, coVEREd, unseen, cryptic, secret, incognito, mysterious
JOHN DONNE (1572-1631): “Death Be Not Proud”: “Read Vere, ’tis his.”
The Progresse of the Soule (Song V): “Veer’s Pen, My grave.”
JOHN LYLY (1553/4? – 1606): Euphues his England, Dedication to Edward de Vere
JOHN MILTON (1608 – 1674): Was he “in the know”?: “Vere, our live-long Monument.”
JOHN WEEVER (1578 – 1632): Vere vows he’s (i.e., Edward de Vere) Shakespeare
JULIUS CAESAR, the PLAY: III. XV. XLIV (B.C.E.):
ACT 1: “E. de Vere.” “I am indeed Ed Vere.” “AMLETH”.
ACT 2: “I’m Vere.” “Ed Vere.”
ACT 3: “Non illegitimi carborundum est.”
Brutus and the Conspirators: “HAMLET”, “Vere tale”, “Vere voyce, hand.”
Ceasar’s Will: “Ed Vere.”
Cinna, the Poet (entire Scene 3): “Truly, my name is Ed Vere.”
Collaboration or Conspiracy?: “Vere writ, Vere speaker, Vere pen.” “Marloe”, “Ed Dyer”, “G. Peele.”
Mark Antony, “Friends, Romans, Countrymen . . . “: “HAMLET”, “AMLETH”, “Vere, come I to speak in Caesar’s funerall.”
KING JAMES BIBLE (1611)
Introduction: The Bible Code
Acts, Chapter 17: Verse 17, VAERE, Henry, (Hamlet)
Matthew 4, “The Temptation of Christ”
Matthew, 17: “The Transfiguration”
Matthew, 2: “The Birth of Jesus”
Matthew, 5: “The Sermon on the Mount”
Numbers, 17
Psalm 10: Henry W.’s Secret Pen
Psalm 13: I sleep the sleep of death
Psalm 19: E. Henry, O. Hidden
Psalm 1: Did Oxford Translate the Psalms?
Psalm 22: I Vow Vere is here, alive
Psalm 28: Henri, My Handes, Worke, Voyce
Psalm 29: The Voice of the Lord’s Code (Row 17)
Psalm 2: Henri, Thou Art My Sonnet
Psalm 30: “From the grave thou hast kept me”
Psalm 46: The Bible: “Voyce code” (ELS)
Psalm 4: Henry the Ninth
Psalm 5: Henry O., My Voice
Psalm 7: The Words of E.O., Lord Vere, Hyd
Psalm 8: Henry Vere, the Workes of thy hand
Psalm 9: Henri Vere’s Memoriall
Psalme 14: The God Code
Psalms 36, 40, 41, 42: the God Code
REVELATION, 14
Revelation: 4, 5, 6, 9
KING JOHN, 1591 (in FF 1623)
Act 1 (King John, 1591, in FF 1623)
Act 2 (King John, 1591, in FF 1623)
Act 3 (King John, 1591, in FF 1623)
Act 5 (King John, 1591, in FF 1623)
KING LEAR, the PLAY (Quarto 1, 1608): “Ed VERE, I am SHAKESPEARE.”
ACT 1, Scene 1: “LO! (Behold): Ed VERE”
Act 1, Scene 2: “VERE, My nativitie was my bastardy.”
Act 1, Scene 3: “de VERE rime”
Act 1, Scene 4: “Ed VERE, mad poet, hyd”
ACT 2, Scene 1: VERE worke, VERE word, VERE pen, hand
Act 2, Scene 2: “Ed VERE. Mad and overwatch’d”
Act 2, Scene 4: “Ed de Vere, Full of greefe.”
Act 2, Scene 4, 1623: “Ed Vere. I will have such revenge.”
ACT 3, Scene 4: “Lo! Ed Vere/Veer, hid.”
Act 3, Scene 7: Ed Vere
ACT 4, Scene 4: the “Suicide Scene”: “Earl (Lear) Ed de Vere”, hemlocke
Act 4, Scene 7: Ed Veer’s grave
ACT 5, Scene 1: “Ed Veer verse. Both remaine alive.”
Act 5, Scene 3: “I know Ed de Vere LIVES.”
MACBETH (the Play): “MAC” (“son of” ) “BETH” (“Elizabeth”)
ACT 1, Scene 1: “Dante: Ninth Circle of Hell.” “Where the place?: “Upon the Heath”.
ACT 2: The Porter Scene (II.iii): “Remember the Porter.” ( 17 words)
Signature 17
ACT 3: the World of Dante’s Inferno (Hell): the River LETHE, the City of DIS, the frozen lake of Circle Nine”
ACT 4: the Threes Witches on the Heath: “Here is DIS” (the City in Hell leading to Circle 9)
ACT 5: “Out, out breefe Candle”: “Erle Ed de Veer.”
MEASURE FOR MEASURE (Folio 1, 1623, the PLAY): “Lo: Ed Vere.” “I’m Ed Vere.” “Vere: REMEMBER me.” “Voice of Ed Vere.” “Ed Vere: every sillable.”
MICHAEL DRAYTON (1563 – 1631), Sonnets, 1594, 1602 Editions: “Ed de Vere, rude unpolish’d rymes; “Vere pen.”
OTHELLO (1622), ACT 2: “Madnesse: tis here, ereV, Vere verse.”
Othello (1622), ACT 1: “Ed Vere tale. My speech.”
Othello (1622), ACT 4: “Vere inke hid.”
OTHELLO (1623), ACT 1: “Earle Ed Vere. I, the Moore.” “I professe myself.”
Othello (1623): ACT 3, Scene 3: ” . . . the Greene ey’d Monster”. Oxford’s doubts about his wife, Anne.
OXFORD: MERSEA Island, Essex: Oxford’s possible death and suicide
TIMON OF ATHENS, the PLAY (Folio 1, 1623; written 1605-1608): “I’m Ed Vere.” (“POX”), “MERSEA”.
SYPHILIS (pox): “I’m Lord Ed Vere. I’m alive on Mersea, cursed, mad, wretched, dying of the pox.”
Vere: “To be hang’d”, “tree, fate, the rope”, “hang, his destiny”, “FELO, doubtfully pronounced”, “E.C.O. confusion.”
SUICIDE (felo de se): “I’m Ed Vere. My FATE is to hang, my ending is despaire. Myself: FELO, ere long be free. My hell is the torture of my minde.”
Who Wrote Timon of Athens?
PERICLES, the PLAY (Quarto 1, ca. 1609): “Ed de Veer, I am SHAKESPEARE.”
Prince Tudor and Incest
Quips Upon Questions (1600): “Ed de Vere, the Author” (of “He begins well, but endes ill”)
RICHARD BARNFIELD, poet: A Pen Name for Edward de Vere
RICHARD II, the Play: Quarto 1, 1597: “The Lord Veer, I am Shakespeare”.
ACT 1: “Lo! EDWARD de VERE.” “Ed de Vere, Seventen (Seventeen).”
RICHARD III (the play), Frontispiece Evidence: 1594, 1597, 1598, 1602, 1612
ACT 1
“Now is the winter of our discontent”
Breech birth: “sent before my time”
ACT 2: VERE “weepes”
“The CONFESSION of KATE ASCHYLY” (Ashley), 1548
Kate Ashley’s Testimony
The RAPE of ELIZABETH
Ricardus Rex: a “Bottled Spider”, a “Lump of Foul Deformity”
The “Matter” of Richard III: HENRY, Henrie, Henri: Which one?
ROBIN HOOD (Robert Vere, 3rd. Earle of Oxenforde ?) Circa, 1164 – 1221.
ANTHONY MUNDAY (The Downfall of Robert, Earle of Huntington, pub. 1601): THE PLAY”:
Scene 11: “Vere, Huntington.”
Scene 12: “Vere pen, Vere’s verse.”
Scene 14: “Ed de Vere rime.” “Veer: the pen, this verse.”
Scene 1: “Earle Robert Vere, Outlaw”. “Ed Vere: my rime.”
Scene 3: “Ed Vere, Robin Hoode”. “HAMLET”. “Ed Vere hand.”
Scene 5: “Earle Ed de Vere weed (pen) veil’d (hidden).” “Vere I am.”
Scene 8: “Vere, my everlasting pen.”
Scene 9: “I, E.O. (Earl Oxford), Ed Vere.”
Ben Jonson (The Sad Shepherd: or, a Tale of Robin Hood): “Vere, his SCENE, his RIME, his PLAY, his TALE.”
Michael Drayton, from Poly-Olbion, Book II, Song XXVI (1622): “Vere be Robin Hood.”
Richard Grafton, from Richard Grafton’s Chronicle at Large (1569): “Robert Hood (Vere) advaunced to the noble dignitie of an Erle.”
Robert Jones (1564 – 1615), song: “In Sherwood Livde Stout Robin Hood.” “Vere is Robin Hood.”
William Warner, Albions England, 1589: “Vere be Robin Hood.”
Anthony Munday, “The Death of Robert, Earle of Huntington”, Coincidence or Signature Array?
ROMEO and JULIET (Q1, 1597)
ACT ONE: Collaboration, Correspondence or Both: between Oxford and Elizabeth I
Prologue
SEVENTEEN: Occurs only 6 times in Shakespeare’s Canon
SHAKESPEARE’S FUNERARY MONUMENT: Torturing the Plaintext
SHAKESPEARE’S SONGS (Edward de Vere as COMPOSER and MUSICIAN): Elizabethan Songs and Madrigals: TWELFTH NIGHT (1623), plus “Bess and Ed”.
A Handefull of Pleasant Delites (1584)
As You Like It (1623)
GREENSLEEVES (ca. 1580): Anonymous, Henry 8 or Edward de Vere?
Morley’s Madrigals, 1594
SONNETS (Quarto 1, 1609)
“SIGNATURE – 17” SONNETS: Sonnet 135: a legal will? (“Remember the Porter”)
HAMLET: 17 legal terms in the “Gravedigger’s Scene” and Sonnet 135
Sonnet 142: the “Grand Signature-17 Sonnet” (and larceny)
Sonnet 125: “I bore the Canopy”
Sonnet 1: ANNE CECIL, Lady VERE, prophaned, desecrated, used with contempt
Sonnet 21: “My verse, a pen name, a painted pen name.”
Do any ciphertexts support Oxford as the author of Sonnet 21?
Sonnet 2: BESS (Written TO Elizabeth I, or BY her?)
Sonnet 3: “Posterity”, BESS RIME
Sonnet 4: Elizabeth I (BESS), USURER
Sonnet 54: From: Edward de Vere to Elizabeth I (You’ve got mail)
Sonnet 5:
Sonnet 66: LADY ANNE VERE’S SUICIDE NOTE
Anne Vere’s Poetry: Epitaphs on the death of her infant son in PANDORA, 1584 (Epitaph 4)
Epytaphe 3: “the breath of my sonne”
Sonnet 30: Lady Anne Cecil de Vere’s thoughts about taking her own life?
Who wrote Sonnet 30, Anne or Edward, or both? (Echoes of Sonnet 76)
Lady Anne’s Torment and Death ( drowning?): “Anne: Remembrance of things past.”
Oxford’s grief and Confession: “I grieve the FELO.”
Sonnet 6: Bess, Clone thyself!
Sonnet 72: “True: Ed Vere, My name be buried where my body is.”
Sonnet 7: BESS, Get a Sonne!
Sonnet 8: “Lord Henri (Hal), resembling Mother and Father (Sier)”
Sonnet 9: “BESS unusde, such murdrous shame commits.”
SONNET List, and FIRST LINES
Sonnet 17: the Number 17
SONNETS: 1609 Frontispiece
Sonnets Dedication: TO.THE.ONLIE.BEGETTER.
THE COMEDIE OF ERRORS (Folio 1, 1623), ACT 1: “Amleth”, “Ed Vere ink, I vow
ACT 5: Vere’s confession he did not die in 1604?: “A living deadman: this pen, Vere.”
THE LATIN POEM OF EDWARD DE VERE (1605): “Double, double, toile and trouble”
The Passionate Pilgrim (Octavo, 1599). Attributed to Shakespeare. If so, then WHY this?: VERE PEN; from Ed (de) Vere; Lo! Ed (de) Vere VOW: he is HID.
THE PURITAN (or, The Widow of Watling Street), 1607 (in Folio 3, 1664): “Ed Vere hit (found) in here.”
THE REVENGE OF BUSSY d’AMBOIS (1613): the Play
Dedication by George Chapman to: “Ed Vere, OXE. (Oxenforde)”
Frontispiece (title page): “Earl Ed VERE pen: a tragedie.”
ACT 1: “I vow I’m Earl Ed Vere.” “Vere, stage actor.”
ACT 3: “Earl Ed Vere.” “Vere labour, hand.”
ACT 4: “Vere. E.(Earl) Ed Vere.” “Revere (honor) E.(Earl) Ed Vere.”
ACT 5: “Erle Vere” (Array 17, Row 17). “Mon nom (my name) is a code word.”
THE SPANISH TRAGEDY (1582? – 1584?). Source: “AMLETH” (?). Authors: Thomas Kyd, Christopher Marlowe, Edward de Vere–all 3 as collaborators?
THE TAMING OF THE SHREW (Folio 1, 1623), THE PLAY: (Echo) Vere Seventeen, Vere Seventeen
ACT 1: Ed Vere. 3 “Vere”s, 1 “Ed Vere, 1 “Veer”
ACT 2: Vere hand hid
ACT 4: Ed Vere, hid (ie., “concealed writer”); Vere NAME hid.
THE TRAGEDY OF LOCRINE (1595; in Third Folio, 1664): “I, Ed de Vere, hope to prosper in this lovely ile.”
The TRIAL and EXECUTION of MARY, QUEEN of SCOTS: Is there any evidence of de Vere’s sense of guilt for his part in Mary’s condemnation?
THE WINTER’S TALE, HERMIONE and MARY, QUEEN of SCOTS
The CONFESSION: the MURDER of MARY, QUEEN of SCOTS, 1587
CONSPIRATORS: Edward de Vere and Edmund Spenser on: Thomas Phelippes, the Code Master
Edmund Spenser: THE FAERIE QUEENE and the MURDER of Mary, Queen of Scots
Th’ E. Ver E. C.O.DE and the False Cypher
METEORS, Fotheringhay Castle, Elizabeth I and MEN in BLACK
THOMAS CAMPION (1567 – 1620): a PEN NAME for Edward de Vere?
My Sweetest Lesbia, Let us live and love
THOMAS DEKKER (ca.1572 – 1632): “Ed de Vere, learned reader.” “Ed Vere: my verse, my poesie.”
THOMAS LORD CROMWELL (by: W.S. or Anonymous?), Folio 3, 1664:
THE PLAY: “W.S.”, “Anonymous” or: “Lord Ed Vere, Earle Vere, Lord Vere?
TITUS ANDRONICUS, the PLAY (Quarto 1, 1594): “I’m Vere (here). E.R.’s first borne sonne.”
TROYLUS and CRESSIDA (CRESSEID) (Quartos A and B, 1609, 1623): INTRODUCTION
PREFACE: “A never writer to an ever reader” (1609): 26 Letters and “TO.THE.ONLIE.BEGETTER.”
ACT 1: Earl Pen name, test: Troilus and Cressida (1623, 1609):
ACT 2: (VERE, the Voyce of Revenge): Troilus and Cressida (1609):
ACT 5: VERE, Her Bastard hid here (Troilus and Cressida, 1609)
TWO NOBLE KINSMEN (Quarto 1, 1634), the PLAY: “VERE at your service, Gentlemen.”
Last Lines: “Confest: I’m de VERE.”
OXFORD-BURGHLEY ‘Pregnancy Letters’, CARDANO, Codes, Southampton (Henry)
EDWARD de VERE’S POETRY: “The Labouring Man”
“Even as the waxe doeth melt” (The Foulyng)
“Framd in the front of forlorne hope”: the Losse of My Good Name (Iago in Othello)
“I am not as I seme to be”: the Origins of OTHELLO
“If Care or Skill”: the Secret in the TOWER
“Love compared to a tennis playe”: the CHALLENGE
“THE CONTRACT”: “A Croune of Bayes” (Edward de Vere, Edward Dyer, Thomas Nashe, Christopher Marlowe)
“The Lively Larke”: Henry, I did hyde his name
“Weare I a kinge” and Suicidal Ideation
“What cunning can expresse”
POEMS Possibly Written by Edward de Vere: “My mynde to me a kingdome is”
“In Pescod Time”: HAMLET
“Sittinge alone upon my thought”
The TOWER: “The tricklyng teares” . . . To be or not to be”
Metamorphoses: Golding, Oxenforde (1567)
Genesis of Hamlet in Ovid: 1560, 1564, 1565, 1567; The Fable of O(vid).
1623: TO THE READER
HAMLET (Unseen)
Horestes, John Pikeryng, 1567
JOCASTA (1566), the Argument of the PLAY: Edward de Vere at 16. “Read Ed Vere: Incest of Oedipus.”
ACT 1: “I’m Ed Veer.” “Vere: Searche the hidden.” “Earl Vere.” “Vere rime.”
ACT 2: “Vere (Veer): I am OEDIPUS.”
ACT 3: “AMLETH”
ACT 5: “Vere pen, poet.” “Amleth.” “Lorde Vere, Bess.”
EPILOGUE: “Vere pen.”
Anonymous (from Heliconia): “Veer, I’m OEDIPUS, veil (hidden).”
The Order of the dumme shewes and musickes: “Ed Oxenforde.” “Jocasta, the Queene, is BESS (Beth).”
PEN NAMES and SHADDOWES
England’s Helicon, 1600
Oxford, the New World, and A Gascoigne Sonnet (1576)
The Merry Wives of Windsor
The Rape of Lucrece (Quarto, 1594)
Thomas Dekker (1572 – 1632): A Wonderfull yeare. 1603
SHAKESPEARE’S GRAVE: 17 Feet Deep — “Good frend for Iesus sake . . . “
Anagramming Vere: Am Grave Re-naming
Shakespeare’s Tombstone Testimony: 1630, Jest 259 — “Ed Vere Epitaph, Stratford-upon Avon, here under lye buried.”
Southampton: the Tower Poem of 1601 – 1603
The Trojan Horse: Plaintext + Ciphertext
WILLIAM BASSE: circa 1583 – 1653
Credits and Acknowledgements
Gallery
Cloud Formations
Hamlet: 1603, 1604, 1605, 1611
» Bayeux Tapestry, JPEG
28
Jan
2013
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Edward de Vere, Sonnet 76: the White Crow (Shakespeare, ShakesVere or ShakesVeer)