Ricardus Rex: a “Bottled Spider”, a “Lump of Foul Deformity”
Was Richard III in reality truly a “bottled spider”, a “lump of foul deformity”?
Fig. 2: Ferris©2009, “The DNA of Richard III”
Edward de Vere, Sonnet 76: the White Crow (Shakespeare, ShakesVere or ShakesVeer)
The Mystery of the Hanging Cipher
- Home
- “A” is for ANABELLE’S RAINBOW: HOME PAGE
- “COURTE-DEARE-VERSE”: William Covell (Polimanteia,1595)
- “ED VERE : I am SHAKESPEARE.” ACCORDING TO: Francis Meres, John Milton, Leonard Digges, Richard II (play), John Weever, King Lear (play), Hamlet (play), Pericles, Prince of Tyre (play), Ben Jonson, King Richard III (play), Michael Drayton (30), The Merry Wives of Windsor (play), 2 Henry 6 (play), John Benson, John Warren (1640)
- “I, E.O. VERE be Robert GREENE”; “Vere is an ‘upstart crow”, the onely Shake-scene in a country”. “Vere, the other Newcommer.”
- A MIDSUMMER NIGHT’S DREAM (Quarto 1, 1600), the play: “He that writ it: Vere, Veer, Veare”
- ALLEGORY OF THE CAVE
- ANNE BOLEYN (BULLEN): the FACE of Edward de Vere?
- ANONYMOUS Anonimus: Rogers and Hammerstein; Bess and Ed, “Another Song”, at OXFORD
- ANTONY and CLEOPATRA (Folio 1, 1623), the PLAY: “Amleth”, Array 17, Column 17, Row 17.” “Vere, the Poet”, “Ed Vere, the Poet”, “Ed Vere writ.”
- ARCADIA (Sir Philip Sidney), 1598: “I’m Lord Ed Vere, pen.”
- AS YOU LIKE IT (the Play) (ca. 1599 – 1600): Act One
- Authorship Question Poll
- BEN JONSON (1572 – 1637)
- Ben Jonson’s EULOGY to Shakespeare (FF, 1623): “DIDSTST”
- Ben Jonson, EPIGRAMS: 45 (XLV): “On my First Son” / “On my First Sonne”
- Christopher MARLOE’S pen: “My Shakespeare, my judgement.”
- PLAYS:
- THE ALCHEMIST (1610): “Vere: the author.” “Vere O.’s hid, forbidden to speak”
- THE DEVIL IS AN ASS: Is Oxford announcing two new plays?: “The Devil is an Ass” and “The Devil of Edmunton.”
- The MERRY DIVEL OF EDMONTON: “Ed Vere (deVere): ’tis his.”
- THE NEW INN: “Vere hid his play.” “Vere, O.: the subject of our play.”
- VERE: “I’m SHAKESPEARE, hid, a monument without a tomb.”
- VERE: Sweet Swan of Avon!
- BUSSY d’AMBOIS” (the play,1603 – 1604), by GEORGE CHAPMAN (c. 1559 – 1634): PROLOGUE: “I’m Ed Vere, I’m Ed Dyer, hid.”
- CARDANUS COMFORTE (1573, 1576) and the Cardano Codes: the first 17 letters.
- CHRISTOPHER MARLOWE (1564 – 1593)
- DIDO, QUEENE of CARTHAGE (the PLAY: first pub., 1594): “From Ed de Vere.”
- EDWARD II (Marlowe, 1594), the PLAY: “I am VERE. Vere’s words.”
- HERO and LEANDER: “Ed Vere: Author of this poem.” “HID: Vere tale.”
- THE JEW of MALTA (the PLAY, 1589, 1590): “I am the PEN of Earl Ed Vere.”
- THE MASSACRE at PARIS (the PLAY, 1592): “Ed de Vere word.”
- CORIOLANUS (First Folio, 1623): “From Ed Vere”, “Know I speake this”,”Ed Veer, Seventeen”
- CYMBELINE (the Play): “Vere: I have liv’d.”
- DEDICATIONS and EPISTLES: Henry Olney, dedication to Sir Philip Sidney (1595): “Ed Vere pen (help), veile (hidden).”
- Anthony Munday, Dedication to Oxford in Zelauto, 1580: “I, Vere. Ed de Vere.”
- John Hester, Dedication to Oxford, Discourse Upon Surgery, 1580: “Lorde Ed de Vere.”
- John Lyly (Euphues), Dedication to Oxford: “Ed Vere, Ed Veer words.” “Vow: Ed de Vere here.”
- Lord Lumley (?), or George Puttenham, 1589: “Edward, Earle of Oxford, otherwise called Veer.”
- Robert Greene (Carde of Fancie), Dedication to Oxford, 1584: ” . . . with Ed Dyer and MDL (1550)
- DEVERE Collection (14):
- EARLY POEMS: VENUS AND ADONIS (1592-3), Where it all began
- “William Shakespeare” appears in print for the first time (1593): “To Henrie Wriothesley: “Vere: I account myselfe your honourable father.” “Ed VERE formed.”
- 1593 Dedication to Henry Wriothesley, continued:
- 1594: THE RAPE OF LUCRECE: The Argument (“Henrie, W.H., secret sonne of VERE)
- A LOVER’S COMPLAINT (Quarto, 1609): “Story from ERLE Veer: Voyce, Tale, SONG.”
- THE PASSIONATE PILGRIM (1599): “HENRIE, W. H.: thou lefts (sic) me nothing in thy will.” Is The Passionate Pilgrim meant to be a song?
- EDWARD de VERE and MICHAEL DRAYTON? (Stunning) Coincidence? (1605)
- “My NAME is ED de VERE.” “My NAME, ED VERE.”: Shakespeare vs. Edward de Vere vs. Michael Drayton. (Shakespeare, Sonnet 76, Drayton Sonnets 47 and 50, 1605)
- ELEGIES (1627 Edition): Lady Olive Stanhope: “Ed Vere Echo”
- Michael Drayton (Ed. of 1619), Sonnet 6, Sonnet 8, Sonnet 21: “Vere ink”, “Vere, my verses”.
- Michael Drayton, Edward de Vere, Edward Dyer, Sonnet 12: “Vere, Veare, Ed Dyer, TWAINE.”
- Michael Drayton, from the Edition of 1594: “Ed Vere, rude unpollsh’d rymes.”
- Michael Drayton, from the Edition of 1602, SONNET 17: “Vere pen.”
- Michael Drayton: “His Ballad of Agincourt (1605)”: HAMLET
- Poem to John Davies (Holy Roode, 1609): “My Good friends: Lend me credit as I lend my verse. VERE.”
- Edward de Vere, AMERICA, and the NEW WORLD (1600)
- Edward de VERE: Letter to the Editor, 1609
- EDWARD the THIRD (Quarto 1, 1596) : Act One
- Elizabeth I’s Funeral: Was Edward de Vere there? Was he the “clere” son of Elizabeth I? Should he have been “ordeind” the next King of England?
- EMARICDULFE (1595): “Erle Vere: pen, paper, inke.” “Ed Vere voyce.” “Vere: his voyce.”
- ENGLAND’S HELICON (1600): “To the Reader, if indifferent”: “The hidden (vaile) work (travaile) of Ed VERE.”
- “To Amarillis”: Who wrote this? = “Lo! Ed de Vere”
- IGNOTO: “The Unknowne Sheepheards Complaint”: “Made with Vere pen/weed”
- No attribution for this song. Then who wrote it?: “Philon, the Sheepheard, HIS SONG: Vere (Array 17, Row 17).”
- Robert Greene (Englands Helicon), Menaphon to Pesana: “deVereDyer”, “Ed de Vere, Dyer–conspire here.”
- ROBERT GREENE, “Melicertus Madrigal”: “Ed VERE is Ro. Greene.”
- Sir Philip Sidney: “An Excellent Sonnet . . . “. “Ed Vere, his work is hid.”
- TO HIS VERY LOVING FRIENDS: “Erle Ed Vere.”
- FIRST FOLIO, 1623: Catalogue and Title page of the Comedies, Histories, and Tragedies
- FOOTPRINTS: Through the Looking Glasse
- FRONTISPIECES (98): A Midsummer Night’s Dreame
- “The English Breviary (1573)” and Anne Cecil, Countess of Oxford
- “The English Secretorie (1586)”, Angel Daye
- A Handefull of Pleasant Dilites, 1584 (a book of Elizabethan songs and madrigals)
- A Hundreth Sundrie Flowres (1573): de Vere, Henry Bynneman
- A Strange Report of Sixe Notorious Witches (1601)
- A Warning for Faire Women (1599), ANONYMOUS (Really?)
- Arden of M. Feversham (1592): “Ed Veer inke.”
- Beaumont and Fletcher (1616, 1625): The Scorneful Ladie (Vere?), TEST IT!
- BEN JONSON: Epicoene (ca. 1605-1609)
- Cardanus Comforte (1573, 1576): the first 17 letters.
- Christopher Marlowe (Edward II): “I am Vere”
- Christopher Marlowe: Edward the Second
- Damon and Pythias, 1571
- Discovery of the Bermudas (1610): “I’m Ed Vere, cover (hid).”
- Double Falshood, Frontispiece
- Edward de Vere, AMERICA, and the New World: 1600
- Euclide’s Geometrie (1570):
- Francis Bacon: The History of Henry VII (By the Right Honourable Erle) Edward Vere
- HAMLET’S BOOKE: Cardanus Comforte (1573, 1576)
- Hamlet: 1603, 1604, 1605, 1611
- Henry IV, Part One (Quarto 3) (1604)
- Henry V (Quarto 1, 1600)
- Henry VI (1594)
- Henry VI, Part 2 (1600): Dyer, E. Ox.
- Henry VI, Part 2 (Q2 1600): Ed Veer inc (ink)
- Henry VI, Part 3 (Quarto 1, 1595): “I’m Earle VEER, O.”
- Horestes (1567): Oxford, Revenge, and the Origins of Hamlet
- IGNOTO (frontispiece, 1603): Expicedium, A FUNERAL ORATION upon the death of the late . . . Queen Elizabeth.” “DECODE IGNOTO CODE.”.”
- IGNOTO: Expicedium, A Funeral Oration upon the death of Elizabeth (1603)
- John Benson, Shakespeare’s Poems, 1640
- John Lyly (c. 1553 – 1606): EUPHUES, the Anatomy of Wyt (1587)
- John Marston, Pen Name or collaborator?: Ed Vere Tragedies and Comedies (hid) Collected into One Volume (1633)
- King Lear (Quarto 2, 1608/1619): “Ed VERE: I am Shakespeare.”
- Leicester’s Commonwealth (1584)
- Love’s Labour’s Lost, 1598
- Love’s Martyr, or Rosalin’s Complaint (including the Phoenix and the Turtle), 1601
- Madrigalls, Englished (1590)
- Martin Marprelate’s “Protestatyon” (1589)
- Minerva Britanna (1612, Henry Peacham, the Younger, 1578 – ca. 1644): “Minerva Britanna, Ed Vere”
- Morley, Thomas (1557 – 1602): Madrigalls to Foure Voyces (1594): “Vere voyces: the first (booke) published in London.”
- Mucedorus, 1611: Array 17
- No-Body and Some-body (Anonymous, ca.1592): An anonymous collaboration between Elizabeth I (Bess) and E.C.O. (Edwardus Comes Oxon.)?
- Othello (Quarto 2), 1630
- Palladis Tamia (1598)
- Pandora (John Soowthern): “Earl Vere.”
- Pericles, Prince of Tyre (Q 1,1609): “Ed de Veer, I am Shakespeare
- Poetical Rhapsody (title page, 1608): “Ed Vere verse published.”
- POLIMANTEIA (1595)
- Quips Upon Questions (1600): “Vere conceit.” “Henry O.”
- Richard Barnfield: The Encomion of Lady Pecunia (1598)
- Richard II (Quarto 3, 1598)
- Richard II (Quarto 2, 1598)
- Richard III (1597, 1602): “I, E. Ed de Vere, Lord Chamberlaine.” “The Tragedy of Richard the Third, by Ed de Vere.”
- Richard III (1598): “The Lord Chamberlaine, Ed Veer, is Shakespeare.” the Death of Nashe’s Innocent Pen (Petty Wales?)
- Richard III (Quarto 5, 1612): “I, Ed VEER, am Shakespeare.” “So test Erle Veer.”William CECIL, Usurper, detested life.”
- Richard III (Quarto 6, 1622): “Ed Veer: I am SHAKESPEARE.”
- Richard III (Quarto 7, 1629): “Ed Veer: I am Shakespeare.” “Erle Oxen.(forde).”
- Richard III (Quarto 8, 1634): “Test Ed Veer life.” “Shakespeare code.”
- Richard III: 1594
- ROBERT GREENE (1558 – 1592): Pandosto, 1621: “Ed Vere content.”
- Romeo and Juliet, 1599
- The Birth of Merlin (1662): Vere – Nashe (Ben Johnson?)
- The Death of Usury (1594): Origin of The Merchant of Venice?
- The Faerie Qveene (1590): No attribution, 17 ‘Units’
- The HEKATOMPATHIA (1582), Composed by THOMAS WATSON, 1555 – 1592
- The History of the Two Maids of More-Clacke (1609). Written by Robert Armin, Edward Dyer, or both?
- The Merchant of Venice (1600)
- The Merry Divel of Edmonton (1617): “Ed Vere (de Vere), ’tis his.” “Acted by Ben Johnson.”
- The Merry Wives of Windsor: 1602, 1619
- The Palace of Pleasure (1566)
- The Paradyse of daynty devises, 1576: “I vow I’m VERE. I’m Hid (encrypted) in The Paradyse.”
- The Phoenix Nest, 1593
- The Revenger’s Tragædie (1608)
- The Taming of a Shrew (1594), no attribution given. What about “Tho. NASHE, or, the Earl, E.O.”
- The Taming of the Shrew (1631)
- The Two Noble Kinsmen (1634): “Veer, Fletcher”
- The Wisdome of Doctor Dodypoll (1600): Anonymous
- The Workes of Geoffrey Chaucer (1343 – 1400): “Ed Vere: This edition (of) the Works of Geoffrey Chaucer.” “Ed Veer, three tales are added.”
- Thomas Dekker (ca. 1572 – 1632): “Satiro-mastix”: “The Lord Veer tale.”
- Thomas Heywood: The First and Second Partes of Edward the Fourth (1599)
- Thomas Lord Cromwell (Quarto 1, 1602): “Veer, publikely hid. I’m W.S.”
- Thomas Nashe, Strange Newes (1592)
- Titus Andronicus (1594) Vere and Marlo
- Troylus and Cresseid (Quarto B, 1609)
- Troylus and Cresseida (Quarto A, 1609)
- Venus and Adonis, 1593
- Willobie, His AVISA (1594)
- GROUP THEORY of AUTHORSHIP: Edward de VERE, HENRY (Southhampton?), Christopher MARLOE, Thomas NASHE, DANTE
- HAMLET, the PLAY: (Act 5, Scene 2: “Lame Ed Vere is HAMLET, hid.”
- “Oh ALL YOU HOST OF HEAVEN!” Versions: 1603, 1604, 1623
- “Oh THAT THIS TOO TOO SOLID FLESH”, Versions: 1603, 1604, 1623
- ACT 1: “Who’s the HEIR? Vere. The Ghost and Gertrude vs. John Veer and Elizabeth I
- Act 1, Scene 1: VERE: “the sheet, the mantle, the voyce” of the GHOST.
- Act 1, Scene 2: “I am the hidden hand of Vere.”
- Act 1, Scene 3: VERE, Lord HAMLET.
- Act 1, Scene 4: “VEER, I’m HAMLET.” The Ghost: John Veer, 16th. Earle of Oxenforde.
- Act 1, Scene 5: “VERE vowe: I’m HAMLET.” “QUEENE BESS: that incestuous, adulterate beast.”
- ACT 2, Scene 1, SCENE 2 (Part 1): “VERE: I’m HAMLET’S transformation. The inward man resembles the ward name of Vere, here in our Court.”
- ACT 3, Scene 1 (the “To be” Act): “Vaere liveth, a nunry.” “Ed Veer, Lord Hamlet.”
- ACT 4, Scene 3, 4, 5: “Ed VERE wordes.””Ed de Veer: I’m HAMLET.”
- ACT 5, Scene 1: Yorick’s Grave: “Veer, a Lawyer himself.” (Grave imagery). “Vere hell.”
- THE HORATIO CODES
- The Play’s the thing: “Oh WHAT A ROGUE AND PESANT SLAVE AM I?” Versions: 1603, 1604, 1623, ‘Signature 17’, in your face
- TO BE OR NOT TO BE. Versions: 1603, 1604, 1623
- HENRY THE FIFTH (The Famous Victories of), the play: the “hand of Ed Vere, HID (kept secret, concealed). NO ATTRIBUTION FOR THE PLAY IS GIVEN. Likely written before 1588, and is therefore pre-Shakespeare.
- HENRY VIII, the PLAY: Prologue, Epilogue, the CODE is HID Within
- ACT 1: “Test VERE/VAERE”, Cecil
- ACT 2 (All about the Act 2 as Vere’s ‘pen’ and ‘grave’)
- ACT 3: Vere alive, Vere is the likeness of ANNE BOLEYN, Confession as “Will S.”,
- ACT 4: Oxford’s Confession. An Actor in the Play
- ACT 5: VERE REX (“He’s King”): “LET ME SPEAKE (I, VERE, now living)”
- Cardinal Wolsey = William CECIL
- HENRY VIII: Sonnet 72, the “PEN-GRAVE” of Edward de Vere? (“My name be buried where my body is”)
- VERE (Vaere): the PORTER Scenes (Macbeth, Henry VIII)
- HORESTES (1567), the Play: (Edward de Vere at 17), Oxford, revenge and the origins of HAMLET
- First, revenge for my father (John Veer, 16th Earl of Oxford); then to hold BESS (Beth) accountable for concealing her birth to me
- OPENING LINES: “Vere, revenged to be.” “Ed de Veer, revenged to be.”
- Signature Arrays: “Vere play.” “Ed Vere verse.” “Vere inke.”
- THE PLAY: “HAMLET”: “Earle Vere . . . holy vow to revenge my father’s death.”
- IGNOTO: unknown, hidden, coVEREd, unseen, cryptic, secret, incognito, mysterious
- JOHN DONNE (1572-1631): “Death Be Not Proud”: “Read Vere, ’tis his.”
- JOHN LYLY (1553/4? – 1606): Euphues his England, Dedication to Edward de Vere
- JOHN MILTON (1608 – 1674): Was he “in the know”?: “Vere, our live-long Monument.”
- JOHN WEEVER (1578 – 1632): Vere vows he’s (i.e., Edward de Vere) Shakespeare
- JULIUS CAESAR, the PLAY: III. XV. XLIV (B.C.E.):
- ACT 1: “E. de Vere.” “I am indeed Ed Vere.” “AMLETH”.
- ACT 2: “I’m Vere.” “Ed Vere.”
- ACT 3: “Non illegitimi carborundum est.”
- Brutus and the Conspirators: “HAMLET”, “Vere tale”, “Vere voyce, hand.”
- Ceasar’s Will: “Ed Vere.”
- Cinna, the Poet (entire Scene 3): “Truly, my name is Ed Vere.”
- Collaboration or Conspiracy?: “Vere writ, Vere speaker, Vere pen.” “Marloe”, “Ed Dyer”, “G. Peele.”
- Mark Antony, “Friends, Romans, Countrymen . . . “: “HAMLET”, “AMLETH”, “Vere, come I to speak in Caesar’s funerall.”
- KING JAMES BIBLE (1611)
- Introduction: The Bible Code
- Matthew 4, “The Temptation of Christ”
- Matthew, 17: “The Transfiguration”
- Matthew, 2: “The Birth of Jesus”
- Matthew, 5: “The Sermon on the Mount”
- Numbers, 17
- Psalm 10: Henry W.’s Secret Pen
- Psalm 13: I sleep the sleep of death
- Psalm 19: E. Henry, O. Hidden
- Psalm 1: Did Oxford Translate the Psalms?
- Psalm 22: I Vow Vere is here, alive
- Psalm 28: Henri, My Handes, Worke, Voyce
- Psalm 29: The Voice of the Lord’s Code (Row 17)
- Psalm 2: Henri, Thou Art My Sonnet
- Psalm 30: “From the grave thou hast kept me”
- Psalm 46: The Bible: “Voyce code” (ELS)
- Psalm 4: Henry the Ninth
- Psalm 5: Henry O., My Voice
- Psalm 7: The Words of E.O., Lord Vere, Hyd
- Psalm 8: Henry Vere, the Workes of thy hand
- Psalm 9: Henri Vere’s Memoriall
- Psalme 14: The God Code
- Psalms 36, 40, 41, 42: the God Code
- REVELATION, 14
- KING JOHN, 1591 (in FF 1623)
- KING LEAR, the PLAY (Quarto 1, 1608): “Ed VERE, I am SHAKESPEARE.”
- MACBETH (the Play): “MAC” (“son of” ) “BETH” (“Elizabeth”)
- ACT 1, Scene 1: “Dante: Ninth Circle of Hell.” “Where the place?: “Upon the Heath”.
- ACT 2: The Porter Scene (II.iii): “Remember the Porter.” ( 17 words)
- ACT 3: the World of Dante’s Inferno (Hell): the River LETHE, the City of DIS, the frozen lake of Circle Nine”
- ACT 4: the Threes Witches on the Heath: “Here is DIS” (the City in Hell leading to Circle 9)
- ACT 5: “Out, out breefe Candle”: “Erle Ed de Veer.”
- MEASURE FOR MEASURE (Folio 1, 1623, the PLAY): “Lo: Ed Vere.” “I’m Ed Vere.” “Vere: REMEMBER me.” “Voice of Ed Vere.” “Ed Vere: every sillable.”
- MICHAEL DRAYTON (1563 – 1631), Sonnets, 1594, 1602 Editions: “Ed de Vere, rude unpolish’d rymes; “Vere pen.”
- OTHELLO (1622), ACT 2: “Madnesse: tis here, ereV, Vere verse.”
- OTHELLO (1623), ACT 1: “Earle Ed Vere. I, the Moore.” “I professe myself.”
- OXFORD: MERSEA Island, Essex: Oxford’s possible death and suicide
- PERICLES, the PLAY (Quarto 1, ca. 1609): “Ed de Veer, I am SHAKESPEARE.”
- Quips Upon Questions (1600): “Ed de Vere, the Author” (of “He begins well, but endes ill”)
- RICHARD BARNFIELD, poet: A Pen Name for Edward de Vere
- RICHARD II, the Play: Quarto 1, 1597: “The Lord Veer, I am Shakespeare”.
- RICHARD III (the play), Frontispiece Evidence: 1594, 1597, 1598, 1602, 1612
- ROBIN HOOD (Robert Vere, 3rd. Earle of Oxenforde ?) Circa, 1164 – 1221.
- ANTHONY MUNDAY (The Downfall of Robert, Earle of Huntington, pub. 1601): THE PLAY”:
- Scene 11: “Vere, Huntington.”
- Scene 12: “Vere pen, Vere’s verse.”
- Scene 14: “Ed de Vere rime.” “Veer: the pen, this verse.”
- Scene 1: “Earle Robert Vere, Outlaw”. “Ed Vere: my rime.”
- Scene 3: “Ed Vere, Robin Hoode”. “HAMLET”. “Ed Vere hand.”
- Scene 5: “Earle Ed de Vere weed (pen) veil’d (hidden).” “Vere I am.”
- Scene 8: “Vere, my everlasting pen.”
- Scene 9: “I, E.O. (Earl Oxford), Ed Vere.”
- Ben Jonson (The Sad Shepherd: or, a Tale of Robin Hood): “Vere, his SCENE, his RIME, his PLAY, his TALE.”
- Michael Drayton, from Poly-Olbion, Book II, Song XXVI (1622): “Vere be Robin Hood.”
- Richard Grafton, from Richard Grafton’s Chronicle at Large (1569): “Robert Hood (Vere) advaunced to the noble dignitie of an Erle.”
- Robert Jones (1564 – 1615), song: “In Sherwood Livde Stout Robin Hood.” “Vere is Robin Hood.”
- William Warner, Albions England, 1589: “Vere be Robin Hood.”
- ANTHONY MUNDAY (The Downfall of Robert, Earle of Huntington, pub. 1601): THE PLAY”:
- ROMEO and JULIET (Q1, 1597)
- SEVENTEEN: Occurs only 6 times in Shakespeare’s Canon
- SHAKESPEARE’S FUNERARY MONUMENT: Torturing the Plaintext
- SHAKESPEARE’S SONGS (Edward de Vere as COMPOSER and MUSICIAN): Elizabethan Songs and Madrigals: TWELFTH NIGHT (1623), plus “Bess and Ed”.
- SONNETS (Quarto 1, 1609)
- “SIGNATURE – 17” SONNETS: Sonnet 135: a legal will? (“Remember the Porter”)
- Sonnet 125: “I bore the Canopy”
- Sonnet 1: ANNE CECIL, Lady VERE, prophaned, desecrated, used with contempt
- Sonnet 21: “My verse, a pen name, a painted pen name.”
- Sonnet 2: BESS (Written TO Elizabeth I, or BY her?)
- Sonnet 3: “Posterity”, BESS RIME
- Sonnet 4: Elizabeth I (BESS), USURER
- Sonnet 54: From: Edward de Vere to Elizabeth I (You’ve got mail)
- Sonnet 5:
- Sonnet 66: LADY ANNE VERE’S SUICIDE NOTE
- Sonnet 6: Bess, Clone thyself!
- Sonnet 72: “True: Ed Vere, My name be buried where my body is.”
- Sonnet 7: BESS, Get a Sonne!
- Sonnet 8: “Lord Henri (Hal), resembling Mother and Father (Sier)”
- Sonnet 9: “BESS unusde, such murdrous shame commits.”
- SONNET List, and FIRST LINES
- Sonnet 17: the Number 17
- SONNETS: 1609 Frontispiece
- THE COMEDIE OF ERRORS (Folio 1, 1623), ACT 1: “Amleth”, “Ed Vere ink, I vow
- THE LATIN POEM OF EDWARD DE VERE (1605): “Double, double, toile and trouble”
- The Passionate Pilgrim (Octavo, 1599). Attributed to Shakespeare. If so, then WHY this?: VERE PEN; from Ed (de) Vere; Lo! Ed (de) Vere VOW: he is HID.
- THE PURITAN (or, The Widow of Watling Street), 1607 (in Folio 3, 1664): “Ed Vere hit (found) in here.”
- THE REVENGE OF BUSSY d’AMBOIS (1613): the Play
- THE SPANISH TRAGEDY (1582? – 1584?). Source: “AMLETH” (?). Authors: Thomas Kyd, Christopher Marlowe, Edward de Vere–all 3 as collaborators?
- THE TAMING OF THE SHREW (Folio 1, 1623), THE PLAY: (Echo) Vere Seventeen, Vere Seventeen
- THE TRAGEDY OF LOCRINE (1595; in Third Folio, 1664): “I, Ed de Vere, hope to prosper in this lovely ile.”
- The TRIAL and EXECUTION of MARY, QUEEN of SCOTS: Is there any evidence of de Vere’s sense of guilt for his part in Mary’s condemnation?
- THOMAS CAMPION (1567 – 1620): a PEN NAME for Edward de Vere?
- THOMAS DEKKER (ca.1572 – 1632): “Ed de Vere, learned reader.” “Ed Vere: my verse, my poesie.”
- THOMAS LORD CROMWELL (by: W.S. or Anonymous?), Folio 3, 1664:
- TITUS ANDRONICUS, the PLAY (Quarto 1, 1594): “I’m Vere (here). E.R.’s first borne sonne.”
- TROYLUS and CRESSIDA (CRESSEID) (Quartos A and B, 1609, 1623): INTRODUCTION
- TWO NOBLE KINSMEN (Quarto 1, 1634), the PLAY: “VERE at your service, Gentlemen.”
- OXFORD-BURGHLEY ‘Pregnancy Letters’, CARDANO, Codes, Southampton (Henry)
- EDWARD de VERE’S POETRY: “The Labouring Man”
- “Even as the waxe doeth melt” (The Foulyng)
- “Framd in the front of forlorne hope”: the Losse of My Good Name (Iago in Othello)
- “I am not as I seme to be”: the Origins of OTHELLO
- “If Care or Skill”: the Secret in the TOWER
- “Love compared to a tennis playe”: the CHALLENGE
- “THE CONTRACT”: “A Croune of Bayes” (Edward de Vere, Edward Dyer, Thomas Nashe, Christopher Marlowe)
- “The Lively Larke”: Henry, I did hyde his name
- “Weare I a kinge” and Suicidal Ideation
- “What cunning can expresse”
- POEMS Possibly Written by Edward de Vere: “My mynde to me a kingdome is”
- The TOWER: “The tricklyng teares” . . . To be or not to be”
- Metamorphoses: Golding, Oxenforde (1567)
- 1623: TO THE READER
- HAMLET (Unseen)
- JOCASTA (1566), the Argument of the PLAY: Edward de Vere at 16. “Read Ed Vere: Incest of Oedipus.”
- ACT 1: “I’m Ed Veer.” “Vere: Searche the hidden.” “Earl Vere.” “Vere rime.”
- ACT 2: “Vere (Veer): I am OEDIPUS.”
- ACT 3: “AMLETH”
- ACT 5: “Vere pen, poet.” “Amleth.” “Lorde Vere, Bess.”
- Anonymous (from Heliconia): “Veer, I’m OEDIPUS, veil (hidden).”
- The Order of the dumme shewes and musickes: “Ed Oxenforde.” “Jocasta, the Queene, is BESS (Beth).”
- PEN NAMES and SHADDOWES
- SHAKESPEARE’S GRAVE: 17 Feet Deep — “Good frend for Iesus sake . . . “
- Southampton: the Tower Poem of 1601 – 1603
- WILLIAM BASSE: circa 1583 – 1653
- Credits and Acknowledgements
- Gallery
Pages
- “A” is for ANABELLE’S RAINBOW: HOME PAGE
- “COURTE-DEARE-VERSE”: William Covell (Polimanteia,1595)
- “ED VERE : I am SHAKESPEARE.” ACCORDING TO: Francis Meres, John Milton, Leonard Digges, Richard II (play), John Weever, King Lear (play), Hamlet (play), Pericles, Prince of Tyre (play), Ben Jonson, King Richard III (play), Michael Drayton (30), The Merry Wives of Windsor (play), 2 Henry 6 (play), John Benson, John Warren (1640)
- “I, E.O. VERE be Robert GREENE”; “Vere is an ‘upstart crow”, the onely Shake-scene in a country”. “Vere, the other Newcommer.”
- A MIDSUMMER NIGHT’S DREAM (Quarto 1, 1600), the play: “He that writ it: Vere, Veer, Veare”
- ALLEGORY OF THE CAVE
- ANNE BOLEYN (BULLEN): the FACE of Edward de Vere?
- ANONYMOUS Anonimus: Rogers and Hammerstein; Bess and Ed, “Another Song”, at OXFORD
- ANTONY and CLEOPATRA (Folio 1, 1623), the PLAY: “Amleth”, Array 17, Column 17, Row 17.” “Vere, the Poet”, “Ed Vere, the Poet”, “Ed Vere writ.”
- ARCADIA (Sir Philip Sidney), 1598: “I’m Lord Ed Vere, pen.”
- AS YOU LIKE IT (the Play) (ca. 1599 – 1600): Act One
- Authorship Question Poll
- BEN JONSON (1572 – 1637)
- Ben Jonson’s EULOGY to Shakespeare (FF, 1623): “DIDSTST”
- Ben Jonson, EPIGRAMS: 45 (XLV): “On my First Son” / “On my First Sonne”
- Christopher MARLOE’S pen: “My Shakespeare, my judgement.”
- PLAYS:
- THE ALCHEMIST (1610): “Vere: the author.” “Vere O.’s hid, forbidden to speak”
- THE DEVIL IS AN ASS: Is Oxford announcing two new plays?: “The Devil is an Ass” and “The Devil of Edmunton.”
- The MERRY DIVEL OF EDMONTON: “Ed Vere (deVere): ’tis his.”
- THE NEW INN: “Vere hid his play.” “Vere, O.: the subject of our play.”
- VERE: “I’m SHAKESPEARE, hid, a monument without a tomb.”
- VERE: Sweet Swan of Avon!
- BUSSY d’AMBOIS” (the play,1603 – 1604), by GEORGE CHAPMAN (c. 1559 – 1634): PROLOGUE: “I’m Ed Vere, I’m Ed Dyer, hid.”
- CARDANUS COMFORTE (1573, 1576) and the Cardano Codes: the first 17 letters.
- CHRISTOPHER MARLOWE (1564 – 1593)
- DIDO, QUEENE of CARTHAGE (the PLAY: first pub., 1594): “From Ed de Vere.”
- EDWARD II (Marlowe, 1594), the PLAY: “I am VERE. Vere’s words.”
- HERO and LEANDER: “Ed Vere: Author of this poem.” “HID: Vere tale.”
- THE JEW of MALTA (the PLAY, 1589, 1590): “I am the PEN of Earl Ed Vere.”
- THE MASSACRE at PARIS (the PLAY, 1592): “Ed de Vere word.”
- CORIOLANUS (First Folio, 1623): “From Ed Vere”, “Know I speake this”,”Ed Veer, Seventeen”
- CYMBELINE (the Play): “Vere: I have liv’d.”
- DEDICATIONS and EPISTLES: Henry Olney, dedication to Sir Philip Sidney (1595): “Ed Vere pen (help), veile (hidden).”
- Anthony Munday, Dedication to Oxford in Zelauto, 1580: “I, Vere. Ed de Vere.”
- John Hester, Dedication to Oxford, Discourse Upon Surgery, 1580: “Lorde Ed de Vere.”
- John Lyly (Euphues), Dedication to Oxford: “Ed Vere, Ed Veer words.” “Vow: Ed de Vere here.”
- Lord Lumley (?), or George Puttenham, 1589: “Edward, Earle of Oxford, otherwise called Veer.”
- Robert Greene (Carde of Fancie), Dedication to Oxford, 1584: ” . . . with Ed Dyer and MDL (1550)
- DEVERE Collection (14):
- EARLY POEMS: VENUS AND ADONIS (1592-3), Where it all began
- “William Shakespeare” appears in print for the first time (1593): “To Henrie Wriothesley: “Vere: I account myselfe your honourable father.” “Ed VERE formed.”
- 1593 Dedication to Henry Wriothesley, continued:
- 1594: THE RAPE OF LUCRECE: The Argument (“Henrie, W.H., secret sonne of VERE)
- A LOVER’S COMPLAINT (Quarto, 1609): “Story from ERLE Veer: Voyce, Tale, SONG.”
- THE PASSIONATE PILGRIM (1599): “HENRIE, W. H.: thou lefts (sic) me nothing in thy will.” Is The Passionate Pilgrim meant to be a song?
- EDWARD de VERE and MICHAEL DRAYTON? (Stunning) Coincidence? (1605)
- “My NAME is ED de VERE.” “My NAME, ED VERE.”: Shakespeare vs. Edward de Vere vs. Michael Drayton. (Shakespeare, Sonnet 76, Drayton Sonnets 47 and 50, 1605)
- ELEGIES (1627 Edition): Lady Olive Stanhope: “Ed Vere Echo”
- Michael Drayton (Ed. of 1619), Sonnet 6, Sonnet 8, Sonnet 21: “Vere ink”, “Vere, my verses”.
- Michael Drayton, Edward de Vere, Edward Dyer, Sonnet 12: “Vere, Veare, Ed Dyer, TWAINE.”
- Michael Drayton, from the Edition of 1594: “Ed Vere, rude unpollsh’d rymes.”
- Michael Drayton, from the Edition of 1602, SONNET 17: “Vere pen.”
- Michael Drayton: “His Ballad of Agincourt (1605)”: HAMLET
- Poem to John Davies (Holy Roode, 1609): “My Good friends: Lend me credit as I lend my verse. VERE.”
- Edward de Vere, AMERICA, and the NEW WORLD (1600)
- Edward de VERE: Letter to the Editor, 1609
- EDWARD the THIRD (Quarto 1, 1596) : Act One
- Elizabeth I’s Funeral: Was Edward de Vere there? Was he the “clere” son of Elizabeth I? Should he have been “ordeind” the next King of England?
- EMARICDULFE (1595): “Erle Vere: pen, paper, inke.” “Ed Vere voyce.” “Vere: his voyce.”
- ENGLAND’S HELICON (1600): “To the Reader, if indifferent”: “The hidden (vaile) work (travaile) of Ed VERE.”
- “To Amarillis”: Who wrote this? = “Lo! Ed de Vere”
- IGNOTO: “The Unknowne Sheepheards Complaint”: “Made with Vere pen/weed”
- No attribution for this song. Then who wrote it?: “Philon, the Sheepheard, HIS SONG: Vere (Array 17, Row 17).”
- Robert Greene (Englands Helicon), Menaphon to Pesana: “deVereDyer”, “Ed de Vere, Dyer–conspire here.”
- ROBERT GREENE, “Melicertus Madrigal”: “Ed VERE is Ro. Greene.”
- Sir Philip Sidney: “An Excellent Sonnet . . . “. “Ed Vere, his work is hid.”
- TO HIS VERY LOVING FRIENDS: “Erle Ed Vere.”
- FIRST FOLIO, 1623: Catalogue and Title page of the Comedies, Histories, and Tragedies
- FOOTPRINTS: Through the Looking Glasse
- FRONTISPIECES (98): A Midsummer Night’s Dreame
- “The English Breviary (1573)” and Anne Cecil, Countess of Oxford
- “The English Secretorie (1586)”, Angel Daye
- A Handefull of Pleasant Dilites, 1584 (a book of Elizabethan songs and madrigals)
- A Hundreth Sundrie Flowres (1573): de Vere, Henry Bynneman
- A Strange Report of Sixe Notorious Witches (1601)
- A Warning for Faire Women (1599), ANONYMOUS (Really?)
- Arden of M. Feversham (1592): “Ed Veer inke.”
- Beaumont and Fletcher (1616, 1625): The Scorneful Ladie (Vere?), TEST IT!
- BEN JONSON: Epicoene (ca. 1605-1609)
- Cardanus Comforte (1573, 1576): the first 17 letters.
- Christopher Marlowe (Edward II): “I am Vere”
- Christopher Marlowe: Edward the Second
- Damon and Pythias, 1571
- Discovery of the Bermudas (1610): “I’m Ed Vere, cover (hid).”
- Double Falshood, Frontispiece
- Edward de Vere, AMERICA, and the New World: 1600
- Euclide’s Geometrie (1570):
- Francis Bacon: The History of Henry VII (By the Right Honourable Erle) Edward Vere
- HAMLET’S BOOKE: Cardanus Comforte (1573, 1576)
- Hamlet: 1603, 1604, 1605, 1611
- Henry IV, Part One (Quarto 3) (1604)
- Henry V (Quarto 1, 1600)
- Henry VI (1594)
- Henry VI, Part 2 (1600): Dyer, E. Ox.
- Henry VI, Part 2 (Q2 1600): Ed Veer inc (ink)
- Henry VI, Part 3 (Quarto 1, 1595): “I’m Earle VEER, O.”
- Horestes (1567): Oxford, Revenge, and the Origins of Hamlet
- IGNOTO (frontispiece, 1603): Expicedium, A FUNERAL ORATION upon the death of the late . . . Queen Elizabeth.” “DECODE IGNOTO CODE.”.”
- IGNOTO: Expicedium, A Funeral Oration upon the death of Elizabeth (1603)
- John Benson, Shakespeare’s Poems, 1640
- John Lyly (c. 1553 – 1606): EUPHUES, the Anatomy of Wyt (1587)
- John Marston, Pen Name or collaborator?: Ed Vere Tragedies and Comedies (hid) Collected into One Volume (1633)
- King Lear (Quarto 2, 1608/1619): “Ed VERE: I am Shakespeare.”
- Leicester’s Commonwealth (1584)
- Love’s Labour’s Lost, 1598
- Love’s Martyr, or Rosalin’s Complaint (including the Phoenix and the Turtle), 1601
- Madrigalls, Englished (1590)
- Martin Marprelate’s “Protestatyon” (1589)
- Minerva Britanna (1612, Henry Peacham, the Younger, 1578 – ca. 1644): “Minerva Britanna, Ed Vere”
- Morley, Thomas (1557 – 1602): Madrigalls to Foure Voyces (1594): “Vere voyces: the first (booke) published in London.”
- Mucedorus, 1611: Array 17
- No-Body and Some-body (Anonymous, ca.1592): An anonymous collaboration between Elizabeth I (Bess) and E.C.O. (Edwardus Comes Oxon.)?
- Othello (Quarto 2), 1630
- Palladis Tamia (1598)
- Pandora (John Soowthern): “Earl Vere.”
- Pericles, Prince of Tyre (Q 1,1609): “Ed de Veer, I am Shakespeare
- Poetical Rhapsody (title page, 1608): “Ed Vere verse published.”
- POLIMANTEIA (1595)
- Quips Upon Questions (1600): “Vere conceit.” “Henry O.”
- Richard Barnfield: The Encomion of Lady Pecunia (1598)
- Richard II (Quarto 3, 1598)
- Richard II (Quarto 2, 1598)
- Richard III (1597, 1602): “I, E. Ed de Vere, Lord Chamberlaine.” “The Tragedy of Richard the Third, by Ed de Vere.”
- Richard III (1598): “The Lord Chamberlaine, Ed Veer, is Shakespeare.” the Death of Nashe’s Innocent Pen (Petty Wales?)
- Richard III (Quarto 5, 1612): “I, Ed VEER, am Shakespeare.” “So test Erle Veer.”William CECIL, Usurper, detested life.”
- Richard III (Quarto 6, 1622): “Ed Veer: I am SHAKESPEARE.”
- Richard III (Quarto 7, 1629): “Ed Veer: I am Shakespeare.” “Erle Oxen.(forde).”
- Richard III (Quarto 8, 1634): “Test Ed Veer life.” “Shakespeare code.”
- Richard III: 1594
- ROBERT GREENE (1558 – 1592): Pandosto, 1621: “Ed Vere content.”
- Romeo and Juliet, 1599
- The Birth of Merlin (1662): Vere – Nashe (Ben Johnson?)
- The Death of Usury (1594): Origin of The Merchant of Venice?
- The Faerie Qveene (1590): No attribution, 17 ‘Units’
- The HEKATOMPATHIA (1582), Composed by THOMAS WATSON, 1555 – 1592
- The History of the Two Maids of More-Clacke (1609). Written by Robert Armin, Edward Dyer, or both?
- The Merchant of Venice (1600)
- The Merry Divel of Edmonton (1617): “Ed Vere (de Vere), ’tis his.” “Acted by Ben Johnson.”
- The Merry Wives of Windsor: 1602, 1619
- The Palace of Pleasure (1566)
- The Paradyse of daynty devises, 1576: “I vow I’m VERE. I’m Hid (encrypted) in The Paradyse.”
- The Phoenix Nest, 1593
- The Revenger’s Tragædie (1608)
- The Taming of a Shrew (1594), no attribution given. What about “Tho. NASHE, or, the Earl, E.O.”
- The Taming of the Shrew (1631)
- The Two Noble Kinsmen (1634): “Veer, Fletcher”
- The Wisdome of Doctor Dodypoll (1600): Anonymous
- The Workes of Geoffrey Chaucer (1343 – 1400): “Ed Vere: This edition (of) the Works of Geoffrey Chaucer.” “Ed Veer, three tales are added.”
- Thomas Dekker (ca. 1572 – 1632): “Satiro-mastix”: “The Lord Veer tale.”
- Thomas Heywood: The First and Second Partes of Edward the Fourth (1599)
- Thomas Lord Cromwell (Quarto 1, 1602): “Veer, publikely hid. I’m W.S.”
- Thomas Nashe, Strange Newes (1592)
- Titus Andronicus (1594) Vere and Marlo
- Troylus and Cresseid (Quarto B, 1609)
- Troylus and Cresseida (Quarto A, 1609)
- Venus and Adonis, 1593
- Willobie, His AVISA (1594)
- GROUP THEORY of AUTHORSHIP: Edward de VERE, HENRY (Southhampton?), Christopher MARLOE, Thomas NASHE, DANTE
- HAMLET, the PLAY: (Act 5, Scene 2: “Lame Ed Vere is HAMLET, hid.”
- “Oh ALL YOU HOST OF HEAVEN!” Versions: 1603, 1604, 1623
- “Oh THAT THIS TOO TOO SOLID FLESH”, Versions: 1603, 1604, 1623
- ACT 1: “Who’s the HEIR? Vere. The Ghost and Gertrude vs. John Veer and Elizabeth I
- Act 1, Scene 1: VERE: “the sheet, the mantle, the voyce” of the GHOST.
- Act 1, Scene 2: “I am the hidden hand of Vere.”
- Act 1, Scene 3: VERE, Lord HAMLET.
- Act 1, Scene 4: “VEER, I’m HAMLET.” The Ghost: John Veer, 16th. Earle of Oxenforde.
- Act 1, Scene 5: “VERE vowe: I’m HAMLET.” “QUEENE BESS: that incestuous, adulterate beast.”
- ACT 2, Scene 1, SCENE 2 (Part 1): “VERE: I’m HAMLET’S transformation. The inward man resembles the ward name of Vere, here in our Court.”
- ACT 3, Scene 1 (the “To be” Act): “Vaere liveth, a nunry.” “Ed Veer, Lord Hamlet.”
- ACT 4, Scene 3, 4, 5: “Ed VERE wordes.””Ed de Veer: I’m HAMLET.”
- ACT 5, Scene 1: Yorick’s Grave: “Veer, a Lawyer himself.” (Grave imagery). “Vere hell.”
- THE HORATIO CODES
- The Play’s the thing: “Oh WHAT A ROGUE AND PESANT SLAVE AM I?” Versions: 1603, 1604, 1623, ‘Signature 17’, in your face
- TO BE OR NOT TO BE. Versions: 1603, 1604, 1623
- HENRY THE FIFTH (The Famous Victories of), the play: the “hand of Ed Vere, HID (kept secret, concealed). NO ATTRIBUTION FOR THE PLAY IS GIVEN. Likely written before 1588, and is therefore pre-Shakespeare.
- HENRY VIII, the PLAY: Prologue, Epilogue, the CODE is HID Within
- ACT 1: “Test VERE/VAERE”, Cecil
- ACT 2 (All about the Act 2 as Vere’s ‘pen’ and ‘grave’)
- ACT 3: Vere alive, Vere is the likeness of ANNE BOLEYN, Confession as “Will S.”,
- ACT 4: Oxford’s Confession. An Actor in the Play
- ACT 5: VERE REX (“He’s King”): “LET ME SPEAKE (I, VERE, now living)”
- Cardinal Wolsey = William CECIL
- HENRY VIII: Sonnet 72, the “PEN-GRAVE” of Edward de Vere? (“My name be buried where my body is”)
- VERE (Vaere): the PORTER Scenes (Macbeth, Henry VIII)
- HORESTES (1567), the Play: (Edward de Vere at 17), Oxford, revenge and the origins of HAMLET
- First, revenge for my father (John Veer, 16th Earl of Oxford); then to hold BESS (Beth) accountable for concealing her birth to me
- OPENING LINES: “Vere, revenged to be.” “Ed de Veer, revenged to be.”
- Signature Arrays: “Vere play.” “Ed Vere verse.” “Vere inke.”
- THE PLAY: “HAMLET”: “Earle Vere . . . holy vow to revenge my father’s death.”
- IGNOTO: unknown, hidden, coVEREd, unseen, cryptic, secret, incognito, mysterious
- JOHN DONNE (1572-1631): “Death Be Not Proud”: “Read Vere, ’tis his.”
- JOHN LYLY (1553/4? – 1606): Euphues his England, Dedication to Edward de Vere
- JOHN MILTON (1608 – 1674): Was he “in the know”?: “Vere, our live-long Monument.”
- JOHN WEEVER (1578 – 1632): Vere vows he’s (i.e., Edward de Vere) Shakespeare
- JULIUS CAESAR, the PLAY: III. XV. XLIV (B.C.E.):
- ACT 1: “E. de Vere.” “I am indeed Ed Vere.” “AMLETH”.
- ACT 2: “I’m Vere.” “Ed Vere.”
- ACT 3: “Non illegitimi carborundum est.”
- Brutus and the Conspirators: “HAMLET”, “Vere tale”, “Vere voyce, hand.”
- Ceasar’s Will: “Ed Vere.”
- Cinna, the Poet (entire Scene 3): “Truly, my name is Ed Vere.”
- Collaboration or Conspiracy?: “Vere writ, Vere speaker, Vere pen.” “Marloe”, “Ed Dyer”, “G. Peele.”
- Mark Antony, “Friends, Romans, Countrymen . . . “: “HAMLET”, “AMLETH”, “Vere, come I to speak in Caesar’s funerall.”
- KING JAMES BIBLE (1611)
- Introduction: The Bible Code
- Matthew 4, “The Temptation of Christ”
- Matthew, 17: “The Transfiguration”
- Matthew, 2: “The Birth of Jesus”
- Matthew, 5: “The Sermon on the Mount”
- Numbers, 17
- Psalm 10: Henry W.’s Secret Pen
- Psalm 13: I sleep the sleep of death
- Psalm 19: E. Henry, O. Hidden
- Psalm 1: Did Oxford Translate the Psalms?
- Psalm 22: I Vow Vere is here, alive
- Psalm 28: Henri, My Handes, Worke, Voyce
- Psalm 29: The Voice of the Lord’s Code (Row 17)
- Psalm 2: Henri, Thou Art My Sonnet
- Psalm 30: “From the grave thou hast kept me”
- Psalm 46: The Bible: “Voyce code” (ELS)
- Psalm 4: Henry the Ninth
- Psalm 5: Henry O., My Voice
- Psalm 7: The Words of E.O., Lord Vere, Hyd
- Psalm 8: Henry Vere, the Workes of thy hand
- Psalm 9: Henri Vere’s Memoriall
- Psalme 14: The God Code
- Psalms 36, 40, 41, 42: the God Code
- REVELATION, 14
- KING JOHN, 1591 (in FF 1623)
- KING LEAR, the PLAY (Quarto 1, 1608): “Ed VERE, I am SHAKESPEARE.”
- MACBETH (the Play): “MAC” (“son of” ) “BETH” (“Elizabeth”)
- ACT 1, Scene 1: “Dante: Ninth Circle of Hell.” “Where the place?: “Upon the Heath”.
- ACT 2: The Porter Scene (II.iii): “Remember the Porter.” ( 17 words)
- ACT 3: the World of Dante’s Inferno (Hell): the River LETHE, the City of DIS, the frozen lake of Circle Nine”
- ACT 4: the Threes Witches on the Heath: “Here is DIS” (the City in Hell leading to Circle 9)
- ACT 5: “Out, out breefe Candle”: “Erle Ed de Veer.”
- MEASURE FOR MEASURE (Folio 1, 1623, the PLAY): “Lo: Ed Vere.” “I’m Ed Vere.” “Vere: REMEMBER me.” “Voice of Ed Vere.” “Ed Vere: every sillable.”
- MICHAEL DRAYTON (1563 – 1631), Sonnets, 1594, 1602 Editions: “Ed de Vere, rude unpolish’d rymes; “Vere pen.”
- OTHELLO (1622), ACT 2: “Madnesse: tis here, ereV, Vere verse.”
- OTHELLO (1623), ACT 1: “Earle Ed Vere. I, the Moore.” “I professe myself.”
- OXFORD: MERSEA Island, Essex: Oxford’s possible death and suicide
- PERICLES, the PLAY (Quarto 1, ca. 1609): “Ed de Veer, I am SHAKESPEARE.”
- Quips Upon Questions (1600): “Ed de Vere, the Author” (of “He begins well, but endes ill”)
- RICHARD BARNFIELD, poet: A Pen Name for Edward de Vere
- RICHARD II, the Play: Quarto 1, 1597: “The Lord Veer, I am Shakespeare”.
- RICHARD III (the play), Frontispiece Evidence: 1594, 1597, 1598, 1602, 1612
- ROBIN HOOD (Robert Vere, 3rd. Earle of Oxenforde ?) Circa, 1164 – 1221.
- ANTHONY MUNDAY (The Downfall of Robert, Earle of Huntington, pub. 1601): THE PLAY”:
- Scene 11: “Vere, Huntington.”
- Scene 12: “Vere pen, Vere’s verse.”
- Scene 14: “Ed de Vere rime.” “Veer: the pen, this verse.”
- Scene 1: “Earle Robert Vere, Outlaw”. “Ed Vere: my rime.”
- Scene 3: “Ed Vere, Robin Hoode”. “HAMLET”. “Ed Vere hand.”
- Scene 5: “Earle Ed de Vere weed (pen) veil’d (hidden).” “Vere I am.”
- Scene 8: “Vere, my everlasting pen.”
- Scene 9: “I, E.O. (Earl Oxford), Ed Vere.”
- Ben Jonson (The Sad Shepherd: or, a Tale of Robin Hood): “Vere, his SCENE, his RIME, his PLAY, his TALE.”
- Michael Drayton, from Poly-Olbion, Book II, Song XXVI (1622): “Vere be Robin Hood.”
- Richard Grafton, from Richard Grafton’s Chronicle at Large (1569): “Robert Hood (Vere) advaunced to the noble dignitie of an Erle.”
- Robert Jones (1564 – 1615), song: “In Sherwood Livde Stout Robin Hood.” “Vere is Robin Hood.”
- William Warner, Albions England, 1589: “Vere be Robin Hood.”
- ANTHONY MUNDAY (The Downfall of Robert, Earle of Huntington, pub. 1601): THE PLAY”:
- ROMEO and JULIET (Q1, 1597)
- SEVENTEEN: Occurs only 6 times in Shakespeare’s Canon
- SHAKESPEARE’S FUNERARY MONUMENT: Torturing the Plaintext
- SHAKESPEARE’S SONGS (Edward de Vere as COMPOSER and MUSICIAN): Elizabethan Songs and Madrigals: TWELFTH NIGHT (1623), plus “Bess and Ed”.
- SONNETS (Quarto 1, 1609)
- “SIGNATURE – 17” SONNETS: Sonnet 135: a legal will? (“Remember the Porter”)
- Sonnet 125: “I bore the Canopy”
- Sonnet 1: ANNE CECIL, Lady VERE, prophaned, desecrated, used with contempt
- Sonnet 21: “My verse, a pen name, a painted pen name.”
- Sonnet 2: BESS (Written TO Elizabeth I, or BY her?)
- Sonnet 3: “Posterity”, BESS RIME
- Sonnet 4: Elizabeth I (BESS), USURER
- Sonnet 54: From: Edward de Vere to Elizabeth I (You’ve got mail)
- Sonnet 5:
- Sonnet 66: LADY ANNE VERE’S SUICIDE NOTE
- Sonnet 6: Bess, Clone thyself!
- Sonnet 72: “True: Ed Vere, My name be buried where my body is.”
- Sonnet 7: BESS, Get a Sonne!
- Sonnet 8: “Lord Henri (Hal), resembling Mother and Father (Sier)”
- Sonnet 9: “BESS unusde, such murdrous shame commits.”
- SONNET List, and FIRST LINES
- Sonnet 17: the Number 17
- SONNETS: 1609 Frontispiece
- THE COMEDIE OF ERRORS (Folio 1, 1623), ACT 1: “Amleth”, “Ed Vere ink, I vow
- THE LATIN POEM OF EDWARD DE VERE (1605): “Double, double, toile and trouble”
- The Passionate Pilgrim (Octavo, 1599). Attributed to Shakespeare. If so, then WHY this?: VERE PEN; from Ed (de) Vere; Lo! Ed (de) Vere VOW: he is HID.
- THE PURITAN (or, The Widow of Watling Street), 1607 (in Folio 3, 1664): “Ed Vere hit (found) in here.”
- THE REVENGE OF BUSSY d’AMBOIS (1613): the Play
- THE SPANISH TRAGEDY (1582? – 1584?). Source: “AMLETH” (?). Authors: Thomas Kyd, Christopher Marlowe, Edward de Vere–all 3 as collaborators?
- THE TAMING OF THE SHREW (Folio 1, 1623), THE PLAY: (Echo) Vere Seventeen, Vere Seventeen
- THE TRAGEDY OF LOCRINE (1595; in Third Folio, 1664): “I, Ed de Vere, hope to prosper in this lovely ile.”
- The TRIAL and EXECUTION of MARY, QUEEN of SCOTS: Is there any evidence of de Vere’s sense of guilt for his part in Mary’s condemnation?
- THOMAS CAMPION (1567 – 1620): a PEN NAME for Edward de Vere?
- THOMAS DEKKER (ca.1572 – 1632): “Ed de Vere, learned reader.” “Ed Vere: my verse, my poesie.”
- THOMAS LORD CROMWELL (by: W.S. or Anonymous?), Folio 3, 1664:
- TITUS ANDRONICUS, the PLAY (Quarto 1, 1594): “I’m Vere (here). E.R.’s first borne sonne.”
- TROYLUS and CRESSIDA (CRESSEID) (Quartos A and B, 1609, 1623): INTRODUCTION
- TWO NOBLE KINSMEN (Quarto 1, 1634), the PLAY: “VERE at your service, Gentlemen.”
- OXFORD-BURGHLEY ‘Pregnancy Letters’, CARDANO, Codes, Southampton (Henry)
- EDWARD de VERE’S POETRY: “The Labouring Man”
- “Even as the waxe doeth melt” (The Foulyng)
- “Framd in the front of forlorne hope”: the Losse of My Good Name (Iago in Othello)
- “I am not as I seme to be”: the Origins of OTHELLO
- “If Care or Skill”: the Secret in the TOWER
- “Love compared to a tennis playe”: the CHALLENGE
- “THE CONTRACT”: “A Croune of Bayes” (Edward de Vere, Edward Dyer, Thomas Nashe, Christopher Marlowe)
- “The Lively Larke”: Henry, I did hyde his name
- “Weare I a kinge” and Suicidal Ideation
- “What cunning can expresse”
- POEMS Possibly Written by Edward de Vere: “My mynde to me a kingdome is”
- The TOWER: “The tricklyng teares” . . . To be or not to be”
- Metamorphoses: Golding, Oxenforde (1567)
- 1623: TO THE READER
- HAMLET (Unseen)
- JOCASTA (1566), the Argument of the PLAY: Edward de Vere at 16. “Read Ed Vere: Incest of Oedipus.”
- ACT 1: “I’m Ed Veer.” “Vere: Searche the hidden.” “Earl Vere.” “Vere rime.”
- ACT 2: “Vere (Veer): I am OEDIPUS.”
- ACT 3: “AMLETH”
- ACT 5: “Vere pen, poet.” “Amleth.” “Lorde Vere, Bess.”
- Anonymous (from Heliconia): “Veer, I’m OEDIPUS, veil (hidden).”
- The Order of the dumme shewes and musickes: “Ed Oxenforde.” “Jocasta, the Queene, is BESS (Beth).”
- PEN NAMES and SHADDOWES
- SHAKESPEARE’S GRAVE: 17 Feet Deep — “Good frend for Iesus sake . . . “
- Southampton: the Tower Poem of 1601 – 1603
- WILLIAM BASSE: circa 1583 – 1653
- Credits and Acknowledgements
- Gallery
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drferris68
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Edward de Vere, Sonnet 76: the White Crow (Shakespeare, ShakesVere or ShakesVeer) 
Sep 02, 2015 @ 12:21:05
I’m impressed, I must say. Really rarely do I encounter a blog that’s both educative and entertaining, and let me tell you, you have hit the nail on the relative head. Your idea is outstanding; the issue is something that not enough people are speaking about intelligently. I am very happy that I stumbled across this in my search for something relating to this.
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Oct 10, 2015 @ 12:06:23
Sorry for the late reply–we were out of the country–and am just catching up on my correspondence.
It would greatly help me if you could elaborate on whichever part(s) of your comments you feel comfortable sharing.
Best,
Jim
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